Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

After Hours

CD (Item 571108) Esoteric/OJC, Early 40s — Condition: Used
Out Of Stock

CD

✈
The roots of bebop! During the early 40s, sets held in Harlem nightclubs, especially the famous Minton's, were seminal to the development of bebop – and you'll hear exactly what we mean on this long overdue CD reissue. The set features material recorded by Jerry Newman at Minton's and Monroe's up in Harlem – sessions that include players like Dizzy Gillespie, Charlie Christian, Thelonious Monk, Hot Lips Page, Kenny Clarke, and Don Byas. The players run through a batch of material that might be called small-combo swing – but the style of the solos shows a lot of bebop, as well as a strong penchant for new ideas. Titles include "Lips Flips", "Swing to Bop", "Guy's Got To Go", "Kerouac", and "Stardust".  © 1996-2023, Dusty Groove, Inc.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Frank Morgan with Cedar Walton

Easy Living
Contemporary/OJC, 1985. Used
A great date from the later revival years of altoist Frank Morgan – thanks to a warm performance from the Cedar Walton trio! One of the great things about late Morgan is the way in which he's able to really fit himself into different settings – still holding onto his soulful roots, but ... CD

Frank Morgan with Cedar Walton

Easy Living
Contemporary/OJC, 1985. Used
A great date from the later revival years of altoist Frank Morgan – thanks to a warm performance from the Cedar Walton trio! One of the great things about late Morgan is the way in which he's able to really fit himself into different settings – still holding onto his soulful roots, but ... CD
Jazzland/OJC, 1957/Early 60s. Used
A record that documents a meeting of two giants of modern jazz in the 50s – the angular genius Thelonious Monk, and the younger John Coltrane – a tenor player who was probably better-known for his work with Miles Davis during this period! The recordings are more Monk's than Coltrane's ... CD
Jazzland/OJC, 1957/Early 60s. Used
A record that documents a meeting of two giants of modern jazz in the 50s – the angular genius Thelonious Monk, and the younger John Coltrane – a tenor player who was probably better-known for his work with Miles Davis during this period! The recordings are more Monk's than Coltrane's ... CD

Johnny Lytle

Village Caller
Riverside/OJC, 1961. Used
A funky vibes classic – and a landmark set from Detroit vibist Johnny Lytle! The set's one of the purest examples of Johnny's great early groove – a tightly stepping version of soul jazz that played big in the clubs at the time, and which has forever made Lytle one of the favorites of ... CD

Johnny Lytle

Village Caller
Riverside/OJC, 1961. Used
A funky vibes classic – and a landmark set from Detroit vibist Johnny Lytle! The set's one of the purest examples of Johnny's great early groove – a tightly stepping version of soul jazz that played big in the clubs at the time, and which has forever made Lytle one of the favorites of ... CD
Riverside/OJC, 1957. Used
Classic early work from Kenny Dorham as a leader – a brilliant set that sparkles with modern touches! The group's a quartet that pairs Kenny's trumpet with the alto sax of the late Ernie Henry – a perfect accompanist that brings out both the brightness in Kenny's horn, and the edgier ... CD
Riverside/OJC, 1957. Used
Classic early work from Kenny Dorham as a leader – a brilliant set that sparkles with modern touches! The group's a quartet that pairs Kenny's trumpet with the alto sax of the late Ernie Henry – a perfect accompanist that brings out both the brightness in Kenny's horn, and the edgier ... CD

Stan Getz

Quartets
Prestige/OJC, 1949/1950. Used
Groundbreaking early work from Stan Getz – a 12" LP that compiles earlier recordings made for Prestige at the end of the 40s – all of which are a perfect exercise in tone, timing, and balance! The setting is simple – quartets with either Al Haig or Tony Aless on piano – ... CD

Stan Getz

Quartets
Prestige/OJC, 1949/1950. Used
Groundbreaking early work from Stan Getz – a 12" LP that compiles earlier recordings made for Prestige at the end of the 40s – all of which are a perfect exercise in tone, timing, and balance! The setting is simple – quartets with either Al Haig or Tony Aless on piano – ... CD

Modern Jazz Quartet

Concorde
Prestige/OJC, 1955. Used
Even at this early point in their career, the Modern Jazz Quartet were plenty proud of their relation to and reception in Paris – almost rubbing their international fame in the faces of other American combos with the title and cover of this record! The set's still got the quartet at their ... CD

Modern Jazz Quartet

Concorde
Prestige/OJC, 1955. Used
Even at this early point in their career, the Modern Jazz Quartet were plenty proud of their relation to and reception in Paris – almost rubbing their international fame in the faces of other American combos with the title and cover of this record! The set's still got the quartet at their ... CD
 



⇑ Top