This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of the clearest portraits of the genius of Elmo Hope on record – a rare later album of mostly solo piano work, plus a few tunes that feature Elmo duetting with wife Bertha! There's no other backing on the set – just Elmo on piano, playing in an angular mode that's some of his most ... CD
Beautiful trio work by Elmo Hope – one of his first sessions as a leader, and while still quite modern, also a record that's done with a warmer, mellower feel than some of his other work – as you might guess from the cover image and the Meditations title! The group on the set features ... CD
Tenors can't get any more conclaved than this – as the record brings together 4 players on the instrument in a great match from 2 of the best sides of 50s jazz! John Coltrane and Hank Mobley represent the more open, soulful side of the spectrum – and Al Cohn and Zoot Sims the tighter, ... CD
One of Cannonball Adderley's late funky sessions for Fantasy – and a record that still features some mighty heavy production from David Axelrod! The album's got that core groove that Axe and Cannon first crafted together at Capitol in the 60s – but the sound here has some definite 70s ... CD
One of the best Sonny Criss albums ever – one of our favorites from his late 60s run at Prestige – and that's really saying a lot! The set's a warmly lyrical session that really has Criss opening up, changing up his groove to display the deep growth he'd experienced as a musician in ... CD
Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments on the west coast – sharp-edged and freely exploratory, in a way that pushes the playful lyricism ... CD
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his ... CD
An interesting concept record, with Konitz approaching a variety of material, much of it written by his collaborators, in wide open duet settings. Players include Jim Hall, Joe Henderson, Elvin Jones and Richie Kamuca, and on each piece, both Konitz and his companion have loads of room to ... CD
With Baker and Cheatham on trumpets – plus Walter Bishop Jr on piano, Wendell Marshall on bass, and JC Heard on drums. Titles include "Good Queen Bess", "Night Train", "Baker's Dozen", and "Chitlins". CD
Maybe not a "world" of piano, but a real classic from Phineas Newborn – a record that marks a harder, more soulful sound than some of his 50s work – shaking free from some of his flowery touches on the keys, and digging much deeper into the groove of his Memphis roots! The ... CD
Before stretching out on Blue Note later on in the 60s, Larry Young started the decade with some great sets like this – straighter soul jazz that showed he had a very firm grasp on traditional modes for the Hammond – more than enough to allow his experimentation in later years! The set' ... CD
One of Lasha & Simmons firey collaborations from the mid 60's! Both players are at the top of their form, and the backing – by Bobby Hutcherson, Buster Williams, and Charles Moffett – provides a hard rythmic drive that sets their solos on edge and really gives them focus. Lasha ... CD