This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the most obscure Blue Note 10" albums of the early 50s – a rare US presentation of great overseas work from vibes legend Lionel Hampton – a set of recordings that contains a great surprise – namely some excellent early work from tenor genius Clifford Scott! Scott's a ... LP, Vinyl record album
The first-ever LP issue of these groundbreaking late 30s performances from the great vibist – working with players who include Benny Carter and Johnny Hodges on alto, Vido Musso and Ben Webster on tenor, Lawrence Brown on trombone, and Cottie Williams on trumpet! LP, Vinyl record album
One of the few albums to really get at the genius of the Lionel Hampton group at the height of their powers – their crowd-pleasing antics that were always a big draw for live audiences! This set catches Hamp and a great group at the Pasadena Civic Auditorium – playing on long tracks ... LP, Vinyl record album
One of Hamp's cool little open-ended sessions for Verve – done in a style that's much more jam-session oriented than some of his other work from earlier (or later) years! The album features Hamp playing vibes with a small combo that includes Buddy De Franco, Herb Ellis, Buddy Rich, Oscar ... LP, Vinyl record album
One of these excellent early 50s albums that Hamp cut for Verve – most of which feature him like this, stretching out a lot more than in the early days, working with a small combo of top-line players that each get plenty of room to solo. Players include Buddy Rich, Oscar Peterson, Ray Brown, ... LP, Vinyl record album
A beautiful hard burner from Gene Krupa – a perfect example of the way he could skirt different camps of jazz when working in small group format! Players here are all top shelf – and include Ben Webster, Bill Harris, Teddy Wilson, Ray Brown, and Charlie Shavers – a lineup that ... LP, Vinyl record album
A classic pairing of postwar trumpets – those of Dizzy Gillespie and Roy Eldridge, each given plenty of space to speak their piece here in the best Verve all-star tradition! The group's great too – with Herb Ellis on guitar, Oscar Peterson on piano, Ray Brown on bass, and Louis Bellson ... LP, Vinyl record album
One of the really unique albums on Verve's "Special Series" of the early 50s – a set of tracks that mix modern orchestrations and jazz – written and conducted by Moore, and featuring Calvin Jackson as the lead soloist on piano! Side one features the extended "Concerto ... LP, Vinyl record album
Shaw's on clarinet (natch!), and the rest of the group includes Hank Jones on piano, Joe Puma on guitar, Tommy Potter on bass, and Irv Kluger on drums. The whole thing's packaged in a lovely David Stone Martin abstract cover – and titles include "Yesterdays", "Supposin", ... LP, Vinyl record album
Features Ella Fitzgerald and Joe Williams on vocal performances of "April In Paris", "Party Blues", and "Every Day I Have The Blues" – with Count Basie backing. Also features a jam session version of "Billie's Bounce" – with Art Blakey, Charles ... LP, Vinyl record album
Great Verve work from Gene – showing again a real talent for picking excellent players on his 50s small group sides! The ensemble here is a sextet – with Charlie Shavers on trumpet, Bill Harris on trombone, and Eddie Davis on tenor – plus rhythm by Teddy Wilson, Ray Brown, and ... LP, Vinyl record album
Sublime alto work from Benny Carter – a masterpiece of tone and timing that shows him at the height of his powers! Carter's sound alone is enough to sell the record, and it's wonderfully recorded by Norman Granz – but the rest of the group is a good fit too, and features Oscar Peterson ... LP, Vinyl record album