This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Jermaine's going the way of most of Motown at this point – popping the bass pretty heavily, and grooving in a smooth funky mode. The cuts that go too over the top with the funky stuff definitely lose us – but there's a few decent mellow soul tracks that redeem the album, and which keep ... LP, Vinyl record album
Linda Clifford goes a bit over the top with this one – a lavish double-length set, of the sort that ended up bankrupting the Curtom label during the late 70s! Linda's very much in full-disco mode, singing to long clubby arrangements by Gil Askey that have more strings than before – and ... LP, Vinyl record album
An overlooked bit of 80s soul from Marlena Shaw – and a mostly R&B-based album, despite it's appearance on Verve! Although the date is late, Marlena's still keeping the same vibe going that she used in her late 70s work for Columbia – a sophisticated mix of soul and jazz, handled ... LP, Vinyl record album
A great collaboration between Linda Clifford and Isaac Hayes – done at a time when Hayes was really hitting his dancefloor stride! Ike's sound here is actually pretty great – arguably warmer and more deeply soulful than on some of Linda's other records from the time, and without too ... LP, Vinyl record album
Nona's last album for RCA – and it's an edgy mid 80s dancefloor soul stormer that really helps solidify just how fearlessly creative Nona was in her solo years – as if we needed to be reminded! Nona's powerful, not-to-be-messed with vocals have the greatest presence of any element ... LP, Vinyl record album
Minnie Riperton's first album for Epic – and the record that broke her from a hip Chicago underground artist into one of the seventies' biggest female soul stars! The record moves past the baroque soul of Minnie's early years with Rotary Connection and Charles Stepney – and hits a mix ... LP, Vinyl record album
There's no need for The Impressions to push from behind – because with a record like this, they're very firmly in the driver's seat! The album's a treasure through and through – one of the greatest documents of 60s soul from the Chicago scene – filled with sublime original ... LP, Vinyl record album
Isaac Hayes' first album as a solo act – and a much more stripped down record than his later baroque symphonic sides! Ike's working here in trio mode – playing piano and singing, alongside bass from Donald Duck Dunn and drums from the great Al Jackson – who brings in a warmly ... LP, Vinyl record album