This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of ... CD
80's reissue that brings together tracks from two different Mingus Columbia sessions – one from 1959, and one from 1971. The '71 material is the extended "Shoes of The Fisherman's Wife Are Some Jive Ass Slippers", which is one of Mingus' best works from the decade. The other ... CD
One of the last great records by Charles Mingus – a set of extremely compelling original compositions, played by a fresh group of younger players, plus a few older masters! The record's got a fire and sense of emotion that's missing from a number of other 70s Mingus sessions – and it's ... CD
One of Charles Mingus' classic recordings for the Candid label – far and away some of the best recordings he ever made, and some of the few studio sessions that really let him stretch out and do his thing! Players here are a firey lineup of young modernists that includes Eric Dolphy, Ted ... CD
A searing live set by Charles Mingus – a double-length performance recorded in Antibes during his classic years for Atlantic Records, but not issued by the label until many years later! The album's a great extrapolation of the sound that Mingus had forged on sessions for Columbia, Atlantic, ... CD
One of the great lost sessions in the Mingus canon! Mingus leads a sharp small group here, a quintet featuring Booker Ervin, John Handy, Richard Wyands, and Dannie Richmond, of course. The session was recorded live at the Nonagon Gallery in New York, and has that sort of arch-modernist groove ... CD
The three or four shades of the blues here are all pretty darn deep – as Charles Mingus is returning to the soulful gospel-influenced mode he swung big in the early 60s! The record's something of a later predecessor of the classics Blues & Roots for Atlantic and Mingus (x5) for Impulse ... CD
A surprisingly enchanting album of piano work from Charles Mingus – one of a few he cut on the instrument, and quite different than his regular work on bass! Unlike the bold, angry role that Mingus would take on as a leader, the approach here is very personal and introspective – long ... CD
One of Art Pepper's most classic sets for Contemporary – a record that puts him in the company of the Miles Davis rhythm section – Jimmy Cobb on drums, Paul Chambers on bass, and Wynton Kelly on piano – who make up 3/5 of a quintet that also includes trumpeter Conte Candoli! The ... CD
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group ... CD
A nice straight batch of tracks from Pepper – and a record that we like more than some of the more "classic" ones on Contemporary! The album's got quite a strange title – Smack Up, a very strange choice, given Pepper's well-known experience as a junkie – and features ... CD
A nice, cooking bop side, led by Red Garland and featuring 'Trane at his late 50s best, when he was moving between playing with the top East coast talents of the day, and playing with a ferocity that betrayed the direction he'd later take when he got really out. Donald Byrd's also in the frontline ... CD