This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Barrett Deems on drums, Charles Parrish on lead trumpet, Michael McLaughlin, Brad Goode, Peter Ellman & John Bailey on trumpet, Audrey Morrison, Loren Binford, Craig Kaucher, & Scott Roberts on trombones, Rich Corpolongo, Jane Johnson, Mike Levin & Tim McNamara on saxophone & flute ... CD
One of the best post-Paris live dates by the Art Ensemble Of Chicago – recorded right on their southside home turf in Chicago, as something of a homecoming after their years abroad! The performance is really one continuous piece, divided up into chapters – and it starts off with an ... CD
One of the greatest Stan Getz albums ever – even though it wasn't issued until the 90s! The set's a rare unreleased session from 1964 – recorded by Getz with a fresh, free-thinking approach – but abandoned by Verve because they were making so much money with Stan's bossa nova ... CD
One of the last really all-star sets from Quincy Jones – and a record that reprises the format of some of his big records of the 70s – like Mellow Madness or Body Heat – in a way that has Quincy surrounding himself with top-shelf artists of all sorts, from jazz soloists, to hip ... CD
A hip live date from Kenny Burrell – recorded with a trio that includes Richard Davis on bass and Roy Haynes on drums – both of whom help Kenny find a groove that's a bit lighter and more fluid than usual! The rhythms here are quite gentle, almost spare at times – and always ... CD
Amazing sounds from Joe Henderson's later years – a completely sublime take on the music of Billy Strayhorn, and a wonderful demonstration of Henderson's mature talents on the tenor! There's a fantastic balance here between darkness and light, grit and clarity, heard in Joe's very first ... CD
A lost late session by Stan Getz – and one of his greatest recordings of the 80s! The album's got the simple elegance of some of his best Verve work – with a group that features Stan on tenor, Kenny Barron on piano, George Mraz on bass, and Victor Lewis on drums. The combination of ... CD
A fantastic early record from tenor giant Stanley Turrentine – a set that's completely hard-hitting, and which has a very different vibe than the sweeter sets he'd cut later in the 70s! Instead, this record is pure hardbop all the way through – with Turrentine matching labelmate Hank ... CD