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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A great live date – recorded in Tokyo with Jackson on vibes, Teddy Edwards on tenor, Cedar Walton on piano, Ray Brown on bass, and Billy Higgins on drums. Tracks include "Killer Joe", "All Blues", "St. Thomas", "The Prophet Speaks", and "Stolen ... CD
A slightly different take on the Modern Jazz Quartet sound of the early years – as the album features Milt Jackson's vibes in the company of MJQ bandmates Percy Heath and Connie Kay, but also includes Horace Silver on piano – in the spot normally reserved for John Lewis! The presence ... CD
Whatever you may think of Milt Jackson's later work, this stuff from the early 50s, recorded in his pre-MJQ years, shows the vibist as a lively talent, playing head to head with boppers that he'd never dare face in later years. Players include Lou Donaldson, John Lewis, Thelonious Monk, and Shadow ... CD
A great statement from vibist Milt Jackson – one of his key solo sessions in a great 60s run of recordings away from the Modern Jazz Quartet! Like the classics that followed this one, the vibe is much more soulful than any of Milt's records with the MJQ – kind of an extension of the ... CD
Milt Jackson on vibraphone – working with a strong group of younger players that includes Joshua Redman on tenor, Jesse Davis on alto, Benny Green on piano, Christian McBride on bass, and Kenny Washington on drums. CD
A great little set from that time when Milt Jackson was fronting a group that also included Jimmy Heath on tenor – a wonderful pairing of talents that made for some of Milt's most soulful sides of the 60s! Heath's sharp-edged tone is a great contrast to Jackson's smoother touch on the vibes ... CD
A great little return to form for Tal Farlow – his first recording in a decade, and a rare Prestige side that features a groovy quartet with John Scully on piano, Jack Six on bass and Alan Dawson on drums. There's a different vibe here than Tal's work for Verve – a bit more open, but ... CD
Way more than just a Gershwin Songbook sort of record – thanks to some tremendous blowing here by Zoot Sims, who's mellowed nicely with age, and comes up with a wonderful sound for the record! It may just be us, but there seems to be a lot more soul in Zoot's horn than ever before – ... CD
Classic set of European recordings – made by Dolphy in 1961, before the fateful 1964 European tour that would later claim his life. The group features Swedish piano giant Bent Axen, plus a rhythm section that includes Erik Moseholm on bass and Jorn Elniff on drums. Like most Dolphy ... CD
Not sure exactly why Zoot's got some Gemini wishes in the title – but the album's a great date, one of his later pairings with pianist Jimmy Rowles – a beautiful partner for the laidback tone that Sims adopted at this stage in his career! The album's got an understated eloquence that ... CD