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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Babatunde Olatunji goes even more drum-crazy than before – working here with no less than nine percussionists, plus a host of singers as well! The tunes have a very rootsy groove throughout – instrumentation that only comes from the rhythm instruments, some of which are pointed towards ... LP, Vinyl record album
The flute sound of the Andes gets a bit of a hip 70s twist – in this album produced by Paul Simon, caught somewhere between his version of "El Condor Pasa" and his later South African pop. The group's got a traditional Peruvian feel – pan flutes, percussion, and a bit of ... LP, Vinyl record album
A wonderful document focusing on the aboriginal musical traditions of Burundi in Central Africa. A variety of folk forms are showcased, from solo performances to ensemble pieces, many with vocals. The instrumentation is quite varied, unlike some of the other Nonesuch volumes, including flutes, ... LP, Vinyl record album