This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A nice, mature effort from Julie London – done with a great mix of 60s pop modes and some of the breathier styles of Julie's earlier years – often served up with backings from Ernie Freeman that have a bit of electric bass at the bottom, which helps to step the tunes along with a subtle ... LP, Vinyl record album
A set that has Julie London still working in the breathy and mellow style of her late 50s classics – with very spare backings that really let Julie's vocals take center stage, and often a nice guitar line in the front of the mix, picking its way through the tunes right behind Julie's voice! ... LP, Vinyl record album
An oft-overlooked gem from Julie London – a dreamy album of Cole Porter tunes, and one that has her singing with small group backing, very much in the mode of some of her best early work for the Liberty label! The group on the album's the Bud Shank Quintet – with Shank on alto and ... LP, Vinyl record album
Breathy vocals from the great Julie London – an album recorded early in her years on Liberty Records, but with a slightly full sound overall! Backings are by the orchestra of Pete King – a little heavy on the strings, but never too much so – just enough to give the tunes a sad-tin ... LP, Vinyl record album
Hip early work from Julie London – with full jazz orchestra backing by Russ Garcia, whose soundscapes are perfect for that dreamy style of singing she was using at the time – a blend of the sublime and sad, floating along with almost effortless ease, but hiding a huge wellspring of ... LP, Vinyl record album
A beautiful little vocal set – and not nearly as gimmicky as you'd expect! The album's "presented" by Martin Denny, but overall it's a pretty straight jazz set – featuring vocals by Japanese/Hawaiian Ethel, sung in a cool and moody style that's got lots of 50s west coast ... LP, Vinyl record album
A bit different than the early R&B work of Nellie Lutcher, but great too – a unified album of jazzy material, cut with backings by the great Russ Garcia! Titles include "It Had To Be You", "Three Little Words", "Blue Skies", "You Made Me Love You", ... LP, Vinyl record album
An album of straight jazz vocals from Hawaiian singer Ethel Azama – an artist who's perhaps better known for her more exotic Liberty album with Martin Denny, but who's working here in a much straighter mode with backings from the great Marty Paich! Paich is at the height of his powers here ... LP, Vinyl record album
Captivating work by Nina – working here in that unique crossover style she was using in the mid 60s – a blend of jazz and soul arrangements that were perfect for her intimate folksy style. The album's one of her first few for Philips, and it really has her opening things up a bit ... LP, Vinyl record album