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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A nice, mature effort from Julie London – done with a great mix of 60s pop modes and some of the breathier styles of Julie's earlier years – often served up with backings from Ernie Freeman that have a bit of electric bass at the bottom, which helps to step the tunes along with a subtle ... LP, Vinyl record album
Breathy vocals from the great Julie London – an album recorded early in her years on Liberty Records, but with a slightly full sound overall! Backings are by the orchestra of Pete King – a little heavy on the strings, but never too much so – just enough to give the tunes a sad-tin ... LP, Vinyl record album
An album of straight jazz vocals from Hawaiian singer Ethel Azama – an artist who's perhaps better known for her more exotic Liberty album with Martin Denny, but who's working here in a much straighter mode with backings from the great Marty Paich! Paich is at the height of his powers here ... LP, Vinyl record album
Like Sergio Mendes and Brasil 66? Then you'll love The Carnival! The group was formed by three former members of Sergio's group, working in 1969 with stellar LA pop production from the mighty Bones Howe – all grooving in a style that's got all the best traces of the Brasil 66 sound! The ... LP, Vinyl record album
A beautiful little vocal set – and not nearly as gimmicky as you'd expect! The album's "presented" by Martin Denny, but overall it's a pretty straight jazz set – featuring vocals by Japanese/Hawaiian Ethel, sung in a cool and moody style that's got lots of 50s west coast ... LP, Vinyl record album
Funky Shirley Bassey! This is a great set of Shirley's groove-happy work cut in the late 60s – hip tunes arranged by UK easy maestro Johnny Harris, best known for his fantastic work on the Stepping Stones record under his own name, forever a beathead classic! Features the great, funky big ... LP, Vinyl record album
A classic set of tracks from Peggy – featuring the sublime hit "Is That All There Is?", produced by Lieber & Stoller, and arranged and conducted by Randy Newman. Other arrangements are by the likes of Mike Melvoin, Mundell Lowe, George Tipton, and Bobby Bryant – all of ... LP, Vinyl record album
An oft-forgotten gem in Sinatra's catalog – a sad, somber late 50s session conducted by Nelson Riddle, with additional backing by the Hollywood String Quartet, who give the record all the weepiness it needs to make the songs hit home. Sinatra's in that post-revival mode vocally, hitting a ... LP, Vinyl record album
Three guys, one gal, and nothing else – just voices with no other instrumentation, and one of the best-ever realizations of the amazing Singers Unlimited sound! Although often associated with the superb studio sound of the MPS label, the group were often at their best when just working ... LP, Vinyl record album
A groovy late 70s outing from the Hi Los – done at the same time that group member Gene Puerling was having a great run for MPS with his group The Singers Unlimited! The style here's a bit like the Hi Los of old, but it's also got some of the smoother, sweeter tones that Puerling developed ... LP, Vinyl record album