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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Ben Webster had really dropped out of the American recording scene by the mid 60s, but still continued to work strongly overseas – and this late live set is one of Ben's best-remembered sessions from the time! The record was done at the Cafe Montmartre, as part of a famous 60s run of albums ... LP, Vinyl record album
Tenor sax hero Ben Webster recorded live at Copenhagen's Jazzhus Montmarte on January 3, 1965 – leading a quartet with Niels-Henning Orsted Pedersen on bass, Alexi Riel on drums and the great Kenny Drew on piano. Titles include "Perdido", "That's All", "Gone With The ... LP, Vinyl record album
One of the greatest long-form albums from the Clarke Boland Big Band – a sophisticated suite that not only shows off the writing ability of Francy Boland, but also demonstrates the group's ability to swing like a mofo, even when things are serious! The album's a jazz suite written by Boland, ... LP, Vinyl record album
A sharp early 60s session from the Duke Ellington group – one that seems to draw strongly on the best late 50s work for Columbia Records, but which also seems to add in an extra crackle too! The tunes are relatively short, but the group pack plenty of punch in the small space – ... LP, Vinyl record album
Great overseas material – recorded early in Griffin's great run at the Cafe Montmartre – with Kenny Drew on piano, Neils Henning Orsted Pedersen on bass, and Albert Heath on drums. Titles include "Wee", "You Leave Me Breathless", "Leave Me Alone Blues", ... LP, Vinyl record album
One of the first great European statements from tenorist Dexter Gordon – a 1967 live recording that really lets Dexter stretch out, and show an even deeper side of his talents than on his 60s albums for Blue Note! The rhythm section here is rock solid – Kenny Drew on piano, Neils ... LP, Vinyl record album
A classic Sun Ra set from the late 60s – recorded in New York in 1968, and featuring a lineup that includes Kwami Hadi on trumpet, Marshall Allen and Danny Davis on alto and flute, John Gilmore on tenor and drums, and Pat Patrick on baritone and flute – all classic players who are the ... LP, Vinyl record album
Excellent work from trombonist Grachan Moncur III – famous for his 60s work on Blue Note and with Archie Shepp, sounding as great here as he did on those recordings! The session features Moncur hitting an Archie Shepp-ish, spiritual vein in his playing – recorded in Paris with a group ... LP, Vinyl record album
A far-reaching early gem from Roy Ayers – a set that's much more jazz-based than his later work, and a record that has him touching base with the Blue Note and Strata East sides of the jazz spectrum! The lineup here is incredibly hip – a mix of players that includes a young Charles ... LP, Vinyl record album