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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A collection of recordings from the 40s, with sidemen that include Juan Tizol and Lawrence Brown on trombone, Jimmy Hamilton on clarinet, Johnny Hodges on alto, Barney Bigard on clarinet and tenor, Ben Webster on tenor, Ray Nance and Wallace Jones on trumpet, with Fred Guy on guitar, Junior Raglin ... LP, Vinyl record album
A collection of Ellington recordings from the 30s and 40s, with his classic line-ups that include Johnny Hodges, Al Sears, Barney Bigard, Cootie Williams, Harry Carney, Lawrence Brown, and Joseph Nanton. LP, Vinyl record album
Titles include "Take The A Train", "Main Stem", "I Got It Bad And That Ain't Good", "Perdido", "Blue Serge", "In A Mellotone", "Rumpus In Richmond", "All Too Soon", and "What Am I Here For?". LP, Vinyl record album
A very cool date from Duke Ellington – one that's based strongly around the talents of tenorist Paul Gonsalves – always a key member of the Ellington ensemble, and quite a leader on his own in the 60s! The lineup is a familiar version of the Ellington orchestra – but the setting's ... LP, Vinyl record album
Very nice work from one of Ellington's revival periods – when he was signed to Columbia in the late 50s, and recording some of the best work of his career. This set moves past the modernism of some of Duke's other sessions at the time, and offers a more straight-ahead set in true "jazz ... LP, Vinyl record album
A 50s LP that showcases Duke's early 40s sides for the Bluebird/Victor label – including early versions of formative compositions, featuring players like Rex Stewart, Johnny Hodges, Barney Bigard, and Ray Nance. Titles include "Take The A Train", "Portrait Of Bert ... LP, Vinyl record album
Soloists include Quentin Jackson and Tyree Glenn on trombone, Paul Gonsalves on tenor, Ray Nance and Harold Baker on trumpets, and Johnny Hodges on alto. Lil Greewood sings on one track – and titles include "B Sharp Boston", "Cop Out", "Suburban Beauty", "Bo ... LP, Vinyl record album
One of the great entries in Duke Ellington's "exotic" albums of the 60s – records that aren't exactly exotica by any stretch of the imagination, but which have musical themes that were inspired by the international travels of the Ellington band at the time! In this case, the locale ... LP, Vinyl record album
A surprising Bud Powell album for Reprise Records – and one of the label's hippest jazz titles ever! When Frank Sinatra first started up the Reprise imprint, he let Duke Ellington do a bit of A&R for the jazz division – and one of the first things Ellington did was capture the ... LP, Vinyl record album
Arranged by Harold Betters and Slide Hampton. Titles include "You're A Sweetheart", "On A Clear Day", "Watermelon Man", "Cool Dr D", "Pretty Flamingo", "The Shadow Of Your Smile", "When A Man Loves A Woman", and more. LP, Vinyl record album