This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A sweet American set from French maestro Michel Legrand – a record that mixes a bit of his soundtrack styles with the mellow jazz and funk groove of the 70s! Some of the tracks almost feel as if they could have been lifted from the Kudu Records catalog of the time – full charts, but ... LP, Vinyl record album
Kind of a cool concept album for Doc Severinsen – one that has him blowing amidst some larger suites arranged by Oliver Nelson, Harry Betts, and Tommy Newsom – each with a slightly different feel! The set starts out with the hip "Rhapsody For Now" – comprised of some ... LP, Vinyl record album
A bit of an obscure session, but the first of John Lewis' works for a larger jazz orchestra – recorded with a lineup that includes larger strings and woodwinds next to rhythm backing by Percy Heath and Connie Kay of the MJQ! The tracks are all longer originals arranged by Lewis – ... LP, Vinyl record album
A 70s classic from the team of Toshiko Akioshi and Lew Tabackin – a duo who did for the jazz ensemble mode in their generation what Kenny Clarke and Francy Boland did in the 60s! The material here is wonderfully inventive – the kind of compositions that Toshiko wouldn't have even ... LP, Vinyl record album
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the ... LP, Vinyl record album
One of the best records we've ever heard from pianist Lou Levy – a record that steps past the simple format of earlier records, into a style that's slightly modern, and very cool – thanks to the addition of vibes to his usual trio format. Larry Bunker plays vibes on the record, and ... LP, Vinyl record album
Features work by Peanuts Hucko on clarinet, Urbie Green on trombone, Billy Butterfield on trumpet, Ernie Caceres on baritone, Lou McGarity on trombone, Hal McKusick on alto, Lee Castle on trumpet, Barry Galbraith on guitar, and Tony Scott on clarinet. LP, Vinyl record album
A great mix of modes from Osamu Kitajima – a set that's still got some of the exotic elements of his other material, but which also brings in a stronger fusion component too – mixing Kitajima's work on guitar and koto with plenty of Fender Rhodes and other great electric touches! The ... LP, Vinyl record album
One of the most open-ended 70s albums from the great Ahmad Jamal – a live performance that features two side-long tracks that really show Jamal getting into the spirit of the Impulse Records scene of the time! In addition to these wonderful, long-spun lines on acoustic piano – really ... LP, Vinyl record album