This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
(Original Slash label pressing. Includes the printed inner sleeve. Cover has a cutout notch, a "Compliments Of Image" sticker in back, and is bent a bit at the edges.)LP, Vinyl record album
(360 Sound stereo pressing. Cover has some ringwear, edge wear, yellowing from age, and some spotty blemishes, a bit of red marker, and Demonstration stamp in back.)LP, Vinyl record album
An album with "midwest" in the title, but one that features Arlyn Gale standing under the Brooklyn Bridge – and coming across in a really cool hybrid of singer/songwriter and more polished AOR modes! Gale himself plays acoustic guitar, instead of electric – which matches the ... LP, Vinyl record album
The great early double album from Tom Waits! This is peak Asylum era Waits, getting into that charismatic, drunken bluesy poet mode – essentially working live in the studio with a small audience , giving it a genuine sounding latenight cabaret vibe, and embracing his wit and style as ... LP, Vinyl record album