This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
Brilliant work by the team of Clifford Brown and Max Roach – a seminal hardbop album that was one of the few to bridge the east and west coast scenes! The set was recorded in LA under the joint leadership of Brown and Roach – and features the classic quintet lineup that included Harold ... CD
Features Erroll Garner on piano, Eddie Calhoun on bass, and Kelly Martin on drums. Tracks include "After You've Gone", "Crazy Rhythm", "Our Love Is Here To Stay", "Ain't Misbehavin", "It Had To Be You", and "Whispering". CD
A great follow up to the legendary Study In Brown album – featuring work recorded by Clifford Brown in the 50s, but not issued until nearly 30 years later, in this Japanese-collected batch of rare material! As with the original album, the core group on the record features Clifford Brown on ... CD
A great session from 1959 – one that features John Coltrane playing tenor in a combo that's billed as being led by altoist Cannonball Adderley – but which is really more of a Miles Davis combo, without Miles! The set was recorded in Chicago when both were stopping through the city ... CD
A hell of a jam session record from Emarcy Records – a set that almost seems as if they jazz label were trying to beat Verve Records at their own game! The style here is a bit more unusual than some Verve dates, though – maybe even more in the spontaneous spirit of a real jam session ... CD
A key slice of Clifford Brown from the 50s – two long tracks both recorded in an open-ended jam session format, showing a side of Brown's powers that's even bolder and more inventive than some of his previous studio work! The album soars along beautifully – with Brownie in the lead ... CD
Not west coast, but "best coast" jazz – a prime example of the way the Clifford Brown/Max Roach team helped to cook up the intensity of the LA scene of the 50s by infusing it with a bit of New York fire! The album takes off in the extended mode of Clifford's All Stars album – ... CD
Ralph Peterson plays drums and cornet with a large group of younger musicians – along with guest solist Frank Lacy – through "Skylark", "Down Under", "This Is For Albert", "Arabia", and "Acceptance". CD