This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Live material recorded in France during the early 60s – when Thelonious Monk was working with his super genius stripped-down quartet that featured Charlie Rouse on tenor, John Ore on bass, and Frank Dunlop on drums! The tracks are a simple but elegant expression of Monk's ideals – laid ... CD
A new sense of focus in the Weather Report sound – that building, soaring groove that would become the group's trademark in the mid 70s – offered up here in one of it's first and finest examples! The approach is one to describe accurately on paper – but which is instantly ... CD
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... CD
Previously-unreleased live work by one of Miles Davis' most important groups ever – a Bitches Brew-era lineup, playing live at the Fillmore East a month before the record was released to the public – which makes this performance one of the first times the world had ever heard jams like ... CD
A nice little later album from Miles Davis – one that still has some sharp edges and interesting moments that refine the earlier electric sound of the 70s! Teo Macero's still producing here, and he gives the record a focus that really brings the best sound out of the tunes – and ... CD
One of our favorite albums ever from Weather Report – an album that has them picking up a bit more soul than before, and shaking off some of the experimental sounds of their roots – yet all in a way that still makes them one of the most revolutionary fusion combos of the time! There's ... CD
Chet's only session for Columbia, arranged in conjunction with the Pacific Jazz label – which seems strange for some reason, because Baker hardly needed to move to a big label, given his success on the LA indie scene. Still, Richard Bock and the Pacific Jazz crew are firmly in place here ... CD
Some of Miles noisiest, freest playing from the 70s – recorded live at Carnegie Hall in 1974, and originally issued only in Japan – most likely because the album was so darn noisy, Columbia was scared to release it to the American market! As with other Davis gems from this time, the ... CD
Soulful 80s work from Bob James – a record that features him working a bit with Rod Temperton of Heatwave, in a style that's got a few more soul-based modes than before! Temperton wrote half of the tracks on the record – the tighter, catchier ones that often use a bit of backing vocals ... CD
One of the moodiest sessions on CTI from the early days – and a landmark album that took George Benson from the funky jazz scene into the upper reaches of 70s jazz. The record was put together by Don Sebesky, and it's a lot more high concept than some of George's earlier work – and ... CD
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics ... CD