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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Excellent early work by Johnny Griffin – a set that's a bit more obscure than some of his Blue Note classics to come, and which was recorded on the Chicago hometown scene from which he first sprang! The group here is a quartet – with Junior Mance on piano and Wilbur Ware on bass – ... CD
An astounding live set from Johnny Griffin – recorded at the famous Club Montmartre in Copenhagen, Dexter Gordon's famous home in the late 60s – but a place that was also a showcase for the new sort of energy that Griffin was bringing to his horn at the time! The record crackles with ... CD
An early killer from Johnny Griffin – a stripped-down quartet session for Blue Note, done in a format that really gave him plenty of room to open up! The rhythm section is a powerful trio led by Sonny Clark on piano, and featuring bassist Paul Chambers alongside the obscure drummer Kenny ... CD
If you've ever needed a definition of hardbop, this is it! The set's a crack quartet session for Blue Note, recorded in the mid 50s by a young Johnny Griffin – fresh in from Chicago, and playing with tons of fire and loads of imagination! Wynton Kelly's on piano and Max Roach is on drums ... CD
A really obscure little session from tenorist Johnny Griffin – and one of his few dates from the time cut with an organist – in this case the up-and-coming LA player Paul Bryant! Bryant's probably best known for his cookers with Curtis Amy, and he hits a similar mode here – by ... CD
A stellar early Johnny Griffin recording for Blue Note, and one that features the young tenor genius from Chicago working alongside the equally fantastic John Coltrane and Hank Mobley – plus some additional trumpet from Lee Morgan, and rock-solid rhythm from Wynton Kelly, Paul Chambers, and ... CD
Excellent early work by Johnny Griffin – a set that's a bit more obscure than some of his Blue Note classics to come, and which was recorded on the Chicago hometown scene from which he first sprang! The group here is a quartet – with Junior Mance on piano and Wilbur Ware on bass – ... CD
One of the most open-ended and laidback records ever from Oliver Nelson – a set that gets away from the tighter arrangements of other albums, and really lets you concentrate on his saxophone work! The album's got a really wonderful feel throughout – easygoing and soulful, with work by ... CD
One of Bill Evans' landmark sessions with the young bassist Scott LaFaro – a player who made key contributions on every record he touched, then left this earth far too soon in his career! The live session's a perfect demonstration of the way that the Evans trio format not only re-worked the ... CD
Prestige Blues Swingers (Art Farmer, Pepper Adams, & Others)
Despite what you might guess from the title, the record's not a blues-based one – but a great little blowing session from an all-star array of players! It's our guess that Prestige chose to use the word "blues" in the title because "soul jazz" had yet to come into ... CD
One of the first American albums from Belgian guitarist and harmonica player Toots Thielemans – a sharp-edged session that brings a new level of jazz into his work! The title's hokey, but the sound is totally great – with Toots on both harmonica and guitar, usually more of the former ... CD
An excellent session! The record's filled with soul, emotion, and most of all, a hell of a lot of creativity – enough to show that Coleman Hawkins was still a great force to be reckoned with, even when labels were sticking him into loose blowing sessions like this! The group features Kenny ... CD