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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
LL has always been just about the most reliable practitioner of the hip hop slow jam, and this classic from the tail end of the 80s/early dawn of the 90s is about as endearing as they get! The track gets a number reworked moods in the remixes. The Untouchable remix speeds the tempo to the "up ... 12-inch, Vinyl record
3rd Bass' biggest commercial hit, taking on Vanilla Ice, if not by name, at least in concept, but the cut to check for here is "Derelicts..." , produced by Prince Paul and remixed by the Stimulated Dummies. 12-inch, Vinyl record
What It Is features Busta Rhymes with production by the Neptunes. Put Your Hands Up features LL Cool J with production by Swizz Beats. And Grimey features NORE, with production by the Neptunes. You get 3 12s here. 12-inch, Vinyl record
"It's Nasty" features the old-school live in the studio back and forth rhyming style, backed by the classic Doug Wimbish, Keith Leblanc and Skip McDonald Sugar Hill band and spiced up with some nice effects from the Tom Tom Club's "Genius of Love". 12-inch, Vinyl record