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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Beautiful work from the Youngbloods – a mixture of folk rock and jazzy phrasing, very much in the same spirit of Tim Hardin or Tim Buckley, with a depth and complexity that's quite surprising, and which has held up surprisingly well over the years – almost more appealing now than when ... LP, Vinyl record album
Arguably one of the greatest rock and roll albums of all time – and the key flowering of the partnership between David Bowie and Mick Ronson! The guitars here are heavy – so much so that the record's always crossed over big with crowds who are always suspicious of Bowie's artier work ... LP, Vinyl record album
A great American-only album from the Rubber Soul generation – the last one made specifically for the US market because of the different release patterns in the US and UK – with a number of their greatest songs of the period! Features a bunch of classics, and it ultimately holds together ... LP, Vinyl record album
A stone treasure from one of the greatest soul singers of the 70s – and a set you'll regularly find in the coolest of record collections from back in the day! Billy Paul was always one of the hippest talents on Philly International – mixing together soul and jazz influences with a ... LP, Vinyl record album
Funky madness from the early version of the Ohio Players! The album features work by the group that was most likely recorded before their move to Mercury, collected here in an album that's right up there with their trippiest work for Westbound. Highlights include the heavy groovers "Food ... LP, Vinyl record album
Jean Carn was one of the best-ever singers to hit the Philly International label – a sophisticated diva with a style that would strongly influence soul music for the next 10 years, and a downright compelling voice that crafted some of the best modern soul of her generation. Although Jean ... LP, Vinyl record album
One of Jean's classic Philly albums, recorded after she left Doug Carn, and started to make records as a solo artist. The record's got stellar production by Gamble & Huff and Dexter Wansel, and features a nice mix of up-tempo cuts and mellow ones. With the monster "Don't Let it Go to ... LP, Vinyl record album
Totally wicked guitar work from the mighty O'Donel Levy – easily one of the hippest talents to ever work for the Groove Merchant label! Levy's got a sound here that's a bit like Wes Montgomery on some of his late 60s sides, but also a fair bit funkier overall – a style that's steeped ... LP, Vinyl record album