This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Pretty far out work from pianist Burton Greene – working here on recordings pulled from the famous ESP tour of New York in the mid 60s! The performances feature Greene on piano and piano harp – in trio format with Steve Tintweiss on bass and Shelly Rusten on drums – both of whom ... CD
4CDs worth of rare Charlie Parker material – put together as a massive historic package! The set features a range of unusual sides with work by Bird – including his first demo recording, a Vic Damone studio session in KC, and work done with Jay McShann, Cootie Williams, and the Dizzy ... CD
A vision of the future of avant garde jazz – recorded in 1966, and one of the most groundbreaking titles on the legendary ESP label! Saxophonist Marzette Watts is a player who hardly ever gets his due – but was part of the key new wave of younger players on the east coast scene of the ... CD
Matthew Shipp seems more tuneful here than ever at times – still very much able to let loose with those fluid, unbridled lines that have always made his work on piano so breathtaking – but also maybe ready to pull back occasionally, and let his instrument resonate in these surprisingly ... CD
They're not lying with the title – as the set features a rich array of underground improvised music recorded in Argentina in recent years – brought together by ESP Records at a level that almost rivals the way they exposed that scene in the 60s through their release of the Steve Lacy ... CD
That's Mat Walerian on the cover, looking all nice and spooky – but the group has a very down-to-earth, familiar trio at the core – Matthew Shipp on piano, William Parker on bass, and Hamid Drake on drums and percussion – players who really give the album a lot of well-grounded ... CD
A lesser-known later album from JJ Johnson – but a surprisingly great one too, recorded with a sense of fire and inspiration that's no doubt driven by the mighty Al Grey! At the time of this set, Johnson was hardly recording much jazz at all – but Grey was still burning strong, and ... CD
One of the first albums to ever issue recordings made at the Newport Jazz Festival – quite a big hit, and the beginning of a real trend in jazz! The set's also some great work by Duke – free to perform in a setting that's not bound by some of the time restrictions of earlier years, ... CD
The extremely successful union of two of Atlantic's biggest funky jazz stars, caught live in Switzerland, with the amazing Benny Bailey sitting in on trumpet. The tracks are long and funky, and are virtually a blueprint for pop soul jazz playing of the time – mixing slinky rhythms with some ... CD
A crackling date from Jackie McLean – a set that's much more hardbop than some of his other Blue Note work – filled with fire, far from the 50s – and really pointing the way towards his new directions to come! There's a hint of modernism in the mix, mostly on the tone from McLean' ... CD
A strong collection of sides that Miles recorded for Columbia during the late 50s – most featuring a group that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, caught live at the Newport Jazz fest in 1958, playing the tunes "Ah-leu-cha", " ... CD