This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Stunning solo work from Matthew Shipp – easily some of the warmest, most expressive sounds we've heard from him in years – and a record that has us paying attention to his music all over again! The title's a reference to Shipp's concept for the date – a retrospective of his years ... CD
Doug Webb's a tenorist we're really growing to love and love more with each new record – a player who can come on with a bold, soulful punch at some moments – then carve these fluid lines at others, which he does wonderfully here alongside the organ of Brian Charette and guitar of Ed ... CD
An incredible album from Charles Lloyd – one that seems to return him to his spiritual flowering of the 60s – maybe just because the set begins with a searing long take of his classic "Dream Weaver"! But there's also a richness here that we don't always hear from Lloyd – ... CD
A fantastic setting for the tenor of Abraham Burton – long-flowing tracks recorded live in a very open space, with Lucian Ban on piano, really pushing Burton to heights that we've never heard before! There's one track on the set dedicated to Pharoah Sanders – and Burton really seems to ... CD
There's no sense of "transition" here – as the album's an incredibly solid one, and stands with John Coltrane's best mid 60s work for Impulse – even if the session wasn't issued by the label until after his early death! The work builds strongly on the Love Supreme vibe – ... CD
Gary Smulyan on baritone sax, Joe Magnarelli on trumpet, John Fedchock on trombone, John Clark on french horn, Dick Oatts on alto sax, Scott Robinson on tenor and soprano sax and bass clarinet, Pete Malinverni on piano, Andy McKee on bass, and Steve Johns on drums. With arrangements by Mark Masters. CD
An incredible album from Bill Evans – and maybe THE record you need in your collection if you're trying to understand his contribution to jazz! The album's one of Evan's first sides from the Village Vanguard – and features the legendary trio that included Scott LaFaro on bass and Paul ... CD