This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A return to basics after Sonny Stitt's late 60s Varitone and funk experiments – all-bop and all soul all the way through, and recorded with a tight quartet that features Barry Harris on piano, Sam Jones on bass, and Roy Brooks on drums! The style's a bit like Sonny's work of the late 50s, ... CD
A record with a simple, elegant title – and a similar cover image too – but if you know Sonny Stitt, you know there's often plenty beneath the surface, and this classic Chess Records has plenty to offer, once you start listening! The album's right up there with Sonny's work for Roost ... CD
Beautifully-recorded later work from Sonny Stitt – a record that's got the crispness and poise of his classic work on Roost, with perhaps a bit of the warmer soul he'd picked up in the 70s – yet laid out in a way that's different from some of his American albums too! The set's a ... CD
A smoking little bop set from Sonny Stitt – recorded live at the Keystone in 1981, as sort of a "summit meeting" of horns – one that features Richie Cole and John Handy in the frontline with Sonny! The rhythm section alone is enough to cook this one up nicely – with ... CD
Beautiful lost 60s material from Stitt – recorded without any tricks or gimmicks, in a solidly-blown mode that rivals his best work for Roost and Argo! The first 4 tracks of the set were recorded in New York in 1962 – with an unnamed group that lets Sonny really take the lead on sax, ... CD
One of the sublime 50s classics that Sonny Stitt recorded for Verve Records – all albums of understated beauty, and with a sense of perfection that's still hard to match all these many years later! And although there's a similarity to the records, each also has a bit of a difference too ... CD
A fantastic fresh new chapter in the career of Charles Mingus – a set that features the addition of two key players who would really shape his sound in the 70s – Don Pullen on piano and George Adams on tenor, both completely wonderful here! The group also features excellent trumpet ... CD
An obscure little session from Kenny Burrell – recorded at the end of the 70s, and with a very laidback feel! The set was produced by Helen Keane, who'd done some of Bill Evans' greatest sets – and who had a real ear for the mellower side of the jazz spectrum. And for the record, she's ... CD