This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Quite an unusual moment in west coast jazz history – one tremendous night at the legendary Lighthouse nightclub, that featured performances by both Chet Baker and Miles Davis! Chet and Miles didn't play in the same group, but both graced the same bandstand on the same night – working ... CD
A landmark in jazz – easily one of Thelonious Monk's greatest albums ever, and a magical crossroads of talents that brings together a variety of jazz traditions! The work is performed by an ambitious Monk septet that includes both Coleman Hawkins and John Coltrane on tenor – and if you' ... CD
Zoot Sims on tenor saxophone, Bill Hood on bass clarinet, baritone clarinet, and flute, Richie Kamuca on clarinet and tenor saxophone, Jerome Richardson on clarinet, tenor, soprano, and alto saxophone, and flute, Oscar Brashear on trumpet, Snooky Young on trumpet and flugelhorn, Frank Rosolino on ... CD
A soaring later date from Art Pepper – recorded with excellent rhythm from the trio of Stanley Cowell on piano, Cecil McBee on bass, and Roy Haynes on drums – plus a bit of percussion from Kenneth Nash too! CD
One of Bill Evans' landmark sessions with the young bassist Scott LaFaro – a player who made key contributions on every record he touched, then left this earth far too soon in his career! The live session's a perfect demonstration of the way that the Evans trio format not only re-worked the ... CD
A great mix of bluesy rhythms and sensitive sounds from Ray Bryant – a later solo set that really shows the full range of his skills on the piano! The album's nicely unfettered – opened up in that pure Pablo way – and although Ray plays passages that hint at his soul jazz roots, ... CD
A stunning pre-Columbia session from Thelonious Monk – a really great live date that has Monk's familiar quartet augmented by west coast players Joe Gordon on trumpet and Harold Land on tenor! Given that Charlie Rouse is already in the group on tenor, the addition of Land's horn makes for a ... CD
Think what you want about Chuck and his 70s hits, this version of the Mangione Brothers is a cooker! Chuck is on trumpet, Gap is on piano, and the rest of the group features Larry Combs on alto, Sal Nistico on tenor, Bill Saunders on bass, and Roy McCurdy on drums – all grooving in a nice ... CD