CD, LP, Vinyl record album cover art
View larger image       Image note

Charles Tolliver Big Band – Mosaic Select (Music Inc/Impact/previously unreleased)

CD (Item 562373) Mosaic, 1970/1975/1979 — Condition: New Copy
3CD
Out Of Stock

CD


5.00 5

Early and mid 70s big band masterpieces from Charles Tolliver for Strata East – plus a brilliant batch of German recordings from 1979 with Hamburg's great NDR group that was never legitimately issued before now – in an amazing 3CD set from Mosaic! Disc One features the classic Impact – the first album by his legendary group on Strata East – a core quartet that features Tolliver on trumpet, Stanley Cowell on piano, Cecil McBee on bass, and Jimmy Hopps on drums and percussion – all augmented by some larger backings for the session! The core sound is amazing – with free lines that trade back and forth wonderfully, filled with life and a great lyrical sense of energy that Tolliver never had on some of his later sessions. The larger group hardly gets in the way at all – and they're mostly there just to shade in the background, but often drop out during the solos – giving full center stage exposure to Tolliver and Cowell! Tracks include "Ruthie's Heart", "Abscretions", "Household of Saud", and "On the Nile". Disc Two features Impact – an amazingly spiritual effort that really brings together the best strands of sounds running through the underground at the time! The format's a bit similar to Music Inc – with lots of strong lead action from Charles on trumpet, and Stanley Cowell on piano. But this time around, the larger group seems to be more fully integrated into the tunes – there not just to support the soloists, but to rise up with a full, proud sense of majesty that's really amazing. Other players include Cecil McBee and Reggie Workman on basses, Billy Parker and Warren Smith on percussion, Jon Faddis and Jimmy Owens on trumpets, John Gordon and Garnet Brown on trombones, and Charles McPherson, George Coleman, Harold Vick, and Charles Davis on saxes! Titles include great versions of the Tolliver classics "Plight" and "Impact" – plus "Mother Wit", "Lynnsome", and "Grand Max". Disc Three is a hidden gem from Tolliver's career – 1979 radio broadcast sessions with the NDR big band that includes Benny Bailey on trumpet, Herb Geller on alto, Wolfgang Dauner on piano, Lukas Lindholm on bass and Alvin Queen on drums. Here Tolliver plays some of the Strata material with these great European players who really seem to relish the opportunity – with each contributing brilliant solos. Includes "Ruthie's Heart", "Mother's Wit", Grand Max", "Impact" and more. (Limited to 5000 copies.)  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested in


CD, LP, Vinyl record album cover art
Manhattan Blue
Electric Bird/King (Japan), 1987. New Copy
Blue sounds recorded in Manhattan, but played by Japanese trumpeter Shunzo Ohno – who returns to the tight fusion styles of his records from a decade before! The album has Ohno as the lead soloist in a hip group that includes Mike Stern on guitar, and keyboards from Gil Goldstein, Kenny ... CD
CD, LP, Vinyl record album cover art
Delta Lady
Electric Bird/King (Japan), 1980. New Copy
Fender Rhodes and tight arrangements from the great David Matthews – a solo set that works in the same sort of vibe as his bigger backings for 70s artists on the CTI/Kudu label! The group's largeish, but still has a nice open vibe – as Matthews works a lot of care into his charts to ... CD
CD, LP, Vinyl record album cover art
First Recordings
FMP/Trost (Austria), 1972. New Copy
Tremendous early recordings from pianist Alexander Von Schlippenbach – recorded during the 1972 FMP workshop, with a sublime trio that includes Evan Parker on tenor and soprano sax, and Paul Lovens on drums! The material here is sublime – and although so many other musicians have been ... CD
CD, LP, Vinyl record album cover art
Saturn/Art Yard (UK), 1971. New Copy 2CD
Unreleased Sun Ra material from the early 70s – and a set that's arguably as great as any of the proper Saturn Records releases of the time! The sound quality here is wonderful – almost as if the album were recorded in the studio – and the Arkestra is at their most righteous, ... CD
CD, LP, Vinyl record album cover art
Digital Love
Electric Bird/King (Japan), 1979. New Copy
Fast and funky fusion from David Matthews – building off the sound of his later Kudu recordings with a sweet electric groove! The album's got a pretty full approach overall – with Matthews on electric piano, and directing a large group of players that includes Mike Maineri, Michael ... CD
CD, LP, Vinyl record album cover art
XII
Soulasis, 2014. New Copy
A hell of a record from keyboardist and producer Brandon Williams – an artist who may well be the Larry Mizell of the 21st Century! Like Mizell, Brandon's a hell of a musician at the core – really strong and soulful on his work here – but also like Larry, Williams really has a ... CD
CD, LP, Vinyl record album cover art
Digitmovies (Italy), 1970/1971. New Copy
Two playful Italian comedies – both scored to perfection by Riz Ortolani! La Prima Notte is a relatively obscure film, but it offers up some of the best soundtrack work we've ever heard from Ortolani – a lot groovier than some of his big 60s hits, with a mixture of sweeping strings and ... CD
CD, LP, Vinyl record album cover art
Il Diavolo A Sette Facce
Digitmovies (Italy), 1971. New Copy
If there's anyone who can make a film about the devil sound sweet and dreamy, it's the great Stelvio Cipriani – one of our favorite Italian soundtrack composers from the 70s! This one begins with a wonderfully warm theme – a jazzy number with scatted vocals by Nora Orlandi, which is ... CD
CD, LP, Vinyl record album cover art
Beat (Italy), 1979/1982. New Copy
Two sexy soundtracks – back to back on a single CD! First up is Senza Buccia, an island-set film with plenty of naked bodies – as you might guess from the cover art on this package – and a soundtrack that's heavy in disco elements from Pino Donaggio, especially on two of the ... CD
 



⇑ Top