This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A heck of a great little record – one that shouldn't work so well, but it does! For the set, Sonny Stitt's blowing in front of a larger brass section – and while the prospect of a Sonny Stitt big band record might not sound that great at first, this one really kicks, largely because of ... CD
A tight swinger from Sonny Stitt – one of the standout 60s dates he recorded for the Impulse label, a place where he seemed to get even more care and focus in the studio! The record's got all the soulful swing of Stitt's classics for Roost, but also hits a slightly more lyrical groove at ... CD
Sonny Stitt makes Oscar Peterson sit up and groove! The record's a great one, and uses the Peterson Trio as a perfect rhythm section for Sonny's confidently blown solos of the late 50s – in a way that pushes the combo past their usual safe area, and into more freewheeling territory to keep ... CD
With Roy Brooks, Jimmy Cobb, Alan Dawson, Walter Davis, George Duvivier, Barry Harris, Louis Hayes, Billy Higgins, Sam Jones, Duke Jordan, Herbie Lewis, Junior Mance, Cedar Walton, and Leroy Williams. CD
An album recorded for the Delmark label, but one that follows strongly from the style of Prestige Records in the 60s – particularly those great sessions that featured saxophonist Sonny Stitt blowing next to a Hammond! In this case, the Hammond is handled by the great Don Patterson, who ... CD
One of the sublime 50s classics that Sonny Stitt recorded for Verve Records – all albums of understated beauty, and with a sense of perfection that's still hard to match all these many years later! And although there's a similarity to the records, each also has a bit of a difference too ... CD
A treasure trove of bebop – all the early recordings made by Sonny Stitt for Prestige Records, finally compiled into one comprehensive set! The recordings here span only a period of 4 years, but there's a lifetime's worth of great music in the grooves – key sides that helped define the ... CD
Sonny Stitt's work for Verve was some of his best on record – and this album is a perfect illustration of that bold claim! Sonny's blowing here in a wonderful style – a bit more restrained than on his early bop sides, more complicated than on his later soul jazz sessions, and all ... CD
Two late 70's Muse albums from pianist Hank Jones. Bop Redux is a trio session with George Duvivier on bass and Ben Riley on drums. Groovin High is a quinter date with the great Charlie Rouse on tenor, Thad Jones on cornet, Sam Jones on bass, and Mickey Roker on drums. CD
Fast Hands is a great date from the revival years of Johnny Lytle – his stretch for Muse Records at the end of the 70s, and a bit of a return to his soul jazz roots of the 60s! The tracks here are a bit longer than before, but they've got a similar sort of energy – a nice rhythmic ... CD