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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A beautiful bit of hardbop that often gets overlooked because of the "leaderless" quality of the session. One batch of tracks on the record has Jackie McLean playing some beautiful rough interpretations of Bird on the standards "Old Folks" and "Embraceable You". The ... LP, Vinyl record album
A pretty great 70s album from Gil Evans – a set that's got some great use of electric instrumentation, and a mighty groove on the best cuts! The overall approach is different than the early modernist sound of Gil Evans, but still very striking – a 70s equivalent to Gil's famous 60s ... LP, Vinyl record album
A great record that features work not on any other album! The set's a compilation of sorts – but it's really more of a "showcase", one that features the work of three of RCA's brightest jazz stars at the time. A young Gary Burton plays "Hello Young Lovers", "Gentle ... LP, Vinyl record album
Brilliantly bold work from pianist Toshiko Akiyoshi – an artist who's really coming into her own for the 70s – stepping out in a big band format that would win her a wide new audience on both sides of the Pacific! The album's one of the first to feature the ensemble co-led with husband ... LP, Vinyl record album
A classic bit of choppy Italian fusion, recorded by this once-prog band during a point when they were tightening up their groove a bit. Claudio Fasoli plays tenor, and the great Franco D'Andrea plays Fender Rhodes and synth. Cuts include "Tamale", "Periplus", "Yellow ... LP, Vinyl record album