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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Before the LL Cool J and Canibus battles on wax there was LL vs. Kool Moe Dee. "Let's Go" is one of Kool Moe Dee's entries in the battle, with some good punchlines, and is one of his best later tracks. Released around the time of the "How Ya Like Me Now" LP, never made it on ... 12-inch, Vinyl record
A nice one from Rawkus, one of their dope underground singles with "Body Rock" by Mos Def, featuring a guest appearance by Tip and some nice lines from the Alkaholiks' Tash. Nice jazzed out beats by Shawn J. Period, with "Manifesto" by Talib Kweli from Reflection Eternal on ... 12-inch, Vinyl record
A dancefloor anthem if there ever was one – and produced by August Darnell, pre Kid Creole. Strong female vocals in unison – and a hook that just won't quit for the west village clubs! 12-inch, Vinyl record
A very catchy bit of funk from the P-Funk glory days, with a bass-heavy groove that reminds us of Bootsy Collins' best work, and the same sort of "Flashlight" groove that put them over the top. 12-inch, Vinyl record