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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The "showdown...all the way live between the Sugarhill gang and the Furious Five". A nice early Furious Five cut that someone has sampled recently. And while were not the biggest Sugarhill Gang fans, they do alright on this cut with the Furious Five, who we suspect actually wrote the ... 12-inch, Vinyl record
The verses for these tracks are based on various jump-roping rhymes, but the best parts are the goofy non-sense vocals, sort of like the Zoom language, that you'll recognize from the Cold Cut remix of "Paid In Full." All done over that 1980-era loping rollerskating style music. 12-inch, Vinyl record
If "Hit & Run" was always like this, it wouldn't be a crime! The track's a bouncing joyous number, and one of Loleatta's first bit club tunes – really grooving with a gently funky approach that has lots of great Salsoul Orchestra touches underneath! Great arrangements and ... 12-inch, Vinyl record
What can we say? "Ring My Bell" was one of the biggest crossover disco tracks of the late 70s – with a cool electronic groove on the beat, and lyrics and production by Frederick Knight, making the southern soul singer one of the more unlikely disco forces of the time. This 12" ... 12-inch, Vinyl record