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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Really amazing early work from Al Stewart – light years away from his bigger 70s AM radio fame, and instead a very sensitive singer and songwriter, with a unique vocal approach as well! Jimmy Page plays guitar on the set – which also features bass from Ashley Hutchings – and ... LP, Vinyl record album
An amazing collaboration between rock group Spooky Tooth and French composer Pierre Henry – a great meeting of the minds that comes out sounding pretty darn groovy! Henry's right at the height of his "Psyche Rock" experiments here – and he inflects the band's darker style ... LP, Vinyl record album
A cool mixture of rock and electronics – a perfect example of the Beaver & Krause team at their best! The ensemble on this one is bigger than usual, and the players includes jazz musicians like Mike Bloomfield, Gerry Mulligan, and Howard Roberts – but Beaver & Krause still play ... LP, Vinyl record album