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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the most popular of the early collaborative LPs of Nancy Sinatra and Lee Hazlewood – the soundtrack album to the legendary Movin' With Nancy TV special from 1967 – featuring the eerie masterpiece "Some Velvet Morning" and more! The aforementioned tune is as incredible a ... LP, Vinyl record album
Nancy Sinatra recording in London, but still getting some heavy help from Lee Hazlewood – who wrote about half the tracks on the record, and also guest stars on one number too! The backings are fuller than some of Nancy's other Reprise albums – clearly going for some of the jaunty ... LP, Vinyl record album
Sweet moody stuff from the period when the duo of Ms. Sinatra and Mr. Hazelwood was electric in the studio. This was back when he used to call her "Nasty" through the headphones in the vocal booth, and when the two of them put out such spooky spooky material as "Some Velvet ... LP, Vinyl record album
Sammy belts it out wonderfully on a set of show-stoppers – tunes with Broadway sources, but redone here by Sam with a tight, jazzy finish! The approach makes the record one of his best of the 60s – a really solid set that virtually reinvents each tune – giving them the Davis ... LP, Vinyl record album
Vocalist Al Hibbler gets some of the coolest backings of his career – some great arrangements from the young Gerald Wilson, who makes the music swing in ways that Al never got back in the 50s! The tune's got a sharp, soulful sparkle that really comes from Wilson's great charts – ... LP, Vinyl record album
The album that put Nancy over the top – and one with lots of stellar Lee Hazlewood writing and production, and cuts like "I Move Around", "So Long, Babe", "Flowers On The Wall", and the title cut. Nice liner notes, too – with a conversation in which Nancy ... LP, Vinyl record album
Anita Kerr and her singers take on the baroque pop sound of the late 60s – working here in a way that mixes their smoother vocals with more complicated arrangements and some nice use of electric harpsichord! The approach isn't as over the top baroque as other albums like this – thanks ... LP, Vinyl record album
One of Paul Williams' greatest albums – produced by his friend and frequent collaborator Roger Nichols, with a style that's very much like the best work the pair recorded together! The songs are some of Williams' best – really warm and intimate numbers, done in a heartfelt style that ... LP, Vinyl record album
Great stuff from Leonard Nimoy – one of his best records, largely because he's upfront about the Spock side of his persona! As is well known, Nimoy really thought of himself as more of a serious singer than just a pointy-eared alien – so other records have a lot more of him singing ... LP, Vinyl record album