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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The album that put Nancy over the top – and one with lots of stellar Lee Hazlewood writing and production, and cuts like "I Move Around", "So Long, Babe", "Flowers On The Wall", and the title cut. Nice liner notes, too – with a conversation in which Nancy ... LP, Vinyl record album
Nancy Sinatra recording in London, but still getting some heavy help from Lee Hazlewood – who wrote about half the tracks on the record, and also guest stars on one number too! The backings are fuller than some of Nancy's other Reprise albums – clearly going for some of the jaunty ... LP, Vinyl record album
Tight funky jazz from vocalist Ben Sidran – still very much in his best early mode, and playing with a really raw sound overall! Ben's vocals are in that down-home Mose Allison mode, but the real charm is the music – which features funky drums by Clyde Stubblefield, the man responsible ... LP, Vinyl record album