This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Three different Billie Holiday dates almost a decade apart – all recorded at Boston's famed Storyville jazz club. Players include Mal Waldron, Stan Getz, Marquis Foster, Carl Drinkard, Jimmy Woode, and Roy Haynes. CD
A collection of "live" performances pulled from old radio transcription discs. Tracks include "Lover Man", "Same Old Story", "Willow Weep For Me", and "What A Little Moonlight Can Do" and feature Lester Young, Mal Waldron, Roy Eldridge, and Charles ... CD
One of Billie's last recordings, and an incredibly striking batch of songs arranged by Ray Ellis with a sad, fragile edge that's perfect for the style of her later work. Billie's voice is faltering, but in a way that only makes the songs sound more personal and more compelling – and although ... CD
One of the most important records in the career of Dinah Washington – even if only for the hit title track! The work here has Dinah elevating yet again – way past the R&B of her roots, and the jazz of a few years later – into a territory that definitely earns her the title of ... CD