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Voice Of The Turtle

LP (Item 560185) Takoma, 1968 — Condition: Near Mint-

A tremendous early statement from the great guitarist John Fahey – and a record that has all his best ideas coming into really sharp focus! Fahey was a very collaborative person right from the start – even as a record collector, before his own recordings – and that spirit is felt here on some of the duet tracks, in which John and associates perform these acoustic instrumental tunes that plumb the past of underground America, but turn it out again into something completely new and fresh – not folk revial, but more a reworked fantasy of the nation, almost as a refuge for the changes of the late 60s. The sound is beautiful – with a flute accompaniment here, a bit of fiddle there, and even Fahey duetting with himself on guitar – thanks to the magic of overdub. As usual with these early Takoma records, the style is very fluid – sometimes very tied to the 78rpm generation, but other points much more towards the freewheeling guitar introspection of some of Fahey's underground contemporaries. The overall sound is amazing, too – as Fahey almost uses the studio as an additional instrument, but in very subtle ways. Titles include "Bottleneck Blues", "Bill Cheatum", "Lewisdale Blues", "Bean Vine Blues", "A Raga Called Pat (part 3)", "A Raga Called Pat Part IV", "Train", "Je Ne Me Suis Reveillais Matin Pas En May", "The Story Of Dorothy Gooch (part 1)", "Nine Pound Hammer", and "Lonesome Valley".  © 1996-2019, Dusty Groove, Inc.
(70s black & gold label pressing in a non-gatefold cover.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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