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Voice Of The Turtle

LP (Item 560185) Takoma, 1968 — Condition: Very Good+
Gatefold

A tremendous early statement from the great guitarist John Fahey – and a record that has all his best ideas coming into really sharp focus! Fahey was a very collaborative person right from the start – even as a record collector, before his own recordings – and that spirit is felt here on some of the duet tracks, in which John and associates perform these acoustic instrumental tunes that plumb the past of underground America, but turn it out again into something completely new and fresh – not folk revial, but more a reworked fantasy of the nation, almost as a refuge for the changes of the late 60s. The sound is beautiful – with a flute accompaniment here, a bit of fiddle there, and even Fahey duetting with himself on guitar – thanks to the magic of overdub. As usual with these early Takoma records, the style is very fluid – sometimes very tied to the 78rpm generation, but other points much more towards the freewheeling guitar introspection of some of Fahey's underground contemporaries. The overall sound is amazing, too – as Fahey almost uses the studio as an additional instrument, but in very subtle ways. Titles include "Bottleneck Blues", "Bill Cheatum", "Lewisdale Blues", "Bean Vine Blues", "A Raga Called Pat (part 3)", "A Raga Called Pat Part IV", "Train", "Je Ne Me Suis Reveillais Matin Pas En May", "The Story Of Dorothy Gooch (part 1)", "Nine Pound Hammer", and "Lonesome Valley".  © 1996-2020, Dusty Groove, Inc.
(70s black & gold label pressing in the gatefold booklet cover, with some wear, aging, and splitting in the bottom seam.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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