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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An uptown sound, recorded downtown at the Blue Note – a bold large ensemble outing from McCoy Tyner, and one that reminds us of that great group he was getting in the 70s! The players here are all super-hip – showing that key Tyner ear for picking sidemen – and the lineup ... LP, Vinyl record album
Darkly-tinged piano work from McCoy Tyner – recorded live, in extended takes, with long-spiralling lines that soar in his best post-Coltrane approach to the piano! The album's got a depth and passion that's missing from some of Tyner's other trio sessions of the time – and features ... LP, Vinyl record album
A really mindblowing session from McCoy Tyner – perfectly titled "Expansions" to showcase the change in his style at the time! The record is one of Tyner's first larger group efforts – and is a brilliant example of the expansion of his talents in the post-Coltrane years ... LP, Vinyl record album
Pretty darn nice stuff from McCoy Tyner, from a period when he was opening up to the soul jazz spiritualism that was around him – a movement that was clearly directly inspired by his work with Coltrane, but which also helped to shape his playing, and return the favor of influence. The group ... LP, Vinyl record album
A nice 70s trio side with Tyner's lyrical, spiraling piano lines nicely underpinned by Elvin Jones' polyrhythms and Ron Carter's supple bass. Three Tyner originals: "Celestial Chant", "Elvin (Sir) Jones" and "Land Of The Lonely", plus Trane's "Impressions", ... LP, Vinyl record album
A very early date as a leader by McCoy Tyner – cut at a time when he was making big waves in the John Coltrane Quartet, but also sounding plenty darn great on his own! The group here's a trio – with Coltrane associates Art Davis on bass and Elvin Jones on drums – and the warm ... LP, Vinyl record album
The title says it all – as McCoy works his way through a nicely restrained trio set of material that features bass by Steve Davis and drums by Lex Humphries. The tracks are perhaps not as spiritual and far-reaching as Tyner's later work – but they're handled with that richly expressive ... LP, Vinyl record album
A great step in the evolution of Ron Carter from brilliant bassist to even more brilliant leader! The album's cut at a time when Carter was really moving his instrument from the back to the front – playing piccolo bass more than usual, and plucking with a pronounced groove, even in the ... LP, Vinyl record album
Early work by genius pianist Mike Wofford – moody and introspective, clearly inspired by Bill Evans, but also with an open feel that really sets the pace for changes in 70s jazz piano. The group on the set is a trio – with Monty Budwig on bass and John Guerin on drums – and ... LP, Vinyl record album