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LP (Item 5599) Blue Note, 1975 — Condition: Very Good$6.99 ...
LP, Vinyl record album
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The massive debut of reedman Ronnie Laws – a groundbreaking set of funky fusion tracks that set the standard for years to come! Ronnie's the kid brother of Hubert Laws – who was already having great fame at CTI – but here, the younger Laws works with producer Wayne Henderson – who was just getting his At Home Productions team off the ground, a force that was maybe only second to the Mizell Brothers when it came to soulful fusion in the 70s! The approach here is sharper, deeper, and edgier than some of Ronnie's later work – as complicated as it is funky, but always right on the money – and graced with some excellent keyboard work by other members of Henderson's Crusaders – including Wilton Felder on bass and Joe Sample on keyboards. The album includes the original, seminal version of the oft-recorded classic "Always There" – plus the deep mellow jam "Tidal Wave", which gained great fame as a hip hop sample – as well as "Momma", "Never Be The Same", "Why Do You Laugh At Me", "Nothing To Lose", and "Tell Me Something Good". © 1996-2024, Dusty Groove, Inc.
(Black b label pressing. Cover has general wear and a split top seam held by clear tape.)
(Black b label pressing. Cover has general wear and a split top seam held by clear tape.)
Very Good
- Vinyl can have some dirt, but nothing major.
- May not shine under light, but should still be pretty clean, and not too dirty.
- May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
- May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
- This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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