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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A weird one from Blondie – and with lot more going for it than the reception at the time would suggest! Following up the diverse pop leanings of Autoamerican, in some ways this is the logical next step from there – Debra's voice way out front in the mix, layers of additional preclusion, ... LP, Vinyl record album
An early gem from Jethro Tull – and a set that has the group really reaching forth with some of their more complicated, jazz-based musical impulses – while still holding onto some of the rawer power of the early days too! The album's lesser-known than some of the group's earlier hits ... LP, Vinyl record album
A beautifully baroque batch of tracks, written and arranged for the Electric Prunes by the great David Axelrod – a really groundbreaking mix of modes that had quite an impact back in the late 60s! The record shows Axelrod's perpetual fascination with the spiritual – mixed with that ... LP, Vinyl record album