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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great little date – one that's presented here with a really classic sense of jazz vocal recording, but oddly the kind of record that Sarah Vaughn hardly ever got to make back in the 50s! The setting is spare and simple – backing by a quartet that includes Oscar Peterson, Joe Pass, ... LP, Vinyl record album
An excellent album of tunes recorded in Brazil – featuring a sweet mellow vibe that works very well with Sarah's vocals, done in a direction that we hardly expected her to take at this point! Most of the tracks have large arrangements with singers that start out the tracks over electric ... LP, Vinyl record album
Sarah Vaughan takes on the work of Duke Ellington – almost presented here in a style that's similar to some of the Songbook albums on Verve from the 50s! Billy Byers handles most of the arrangements here – especially on the larger group numbers – but some tracks are also in a ... LP, Vinyl record album
One of the grooviest albums ever made by this great jazz vocal group – and a record that's darn impossible to find on wax! The Hi Lo's here hit the bossa craze of the 60's, and they turn their vocal harmonies to a Brazilian groove, in sort of a roundabout recognition of the way that their ... LP, Vinyl record album
An incredibly lovely later album from Peggy Lee – her first album for Atlantic, and proof that she was still growing tremendously as an artist, well into the 70s! The record's title track was a tune written for Peggy by Paul McCartney, who also produced the number for the record – and ... LP, Vinyl record album
24 great numbers from Billie's first couple of years recording for Verve, capturing her at her prime with a number of great little groups. Includes "How Deep Is The Ocean (How high Is The Moon)", "He's Funny That Way", "Love For Sale", "You Go To My Head", ... LP, Vinyl record album
The third collection of Billie's Verve studio recordings, produced by Norman Granz. Billie's backing group includes performances by Benny Carter, Harry Edison, Barney Kessel, Jimmy Rowles, Paul Quiichette, and Wynton Kelly, and features the songs "Trav'lin Light", "April In ... LP, Vinyl record album
A very cool, very unusual album from the hip singer Bobbi Rogers – a vocalist we might put in the company of Blossom Dearie! The set features Bobbi singing with great guitar accompaniment from Gene Bertoncini – on titles that include "Once You've Been In Love", "Two For ... LP, Vinyl record album
A groovy collection of singles from Peggy Lee – all material from her early return to Capitol Records after a mid-50s stint at Decca – brought together in a full length album from 1960! The work here already shows a great change in Peggy's style – that tightening up and hipping ... LP, Vinyl record album