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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from ... CD
"New York is now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York ... CD
We'll be honest with you – we love this stuff! Sure, Ornette made some great recordings for a number of other labels – but as a whole, his Atlantic stuff is some of the greatest modern jazz ever recorded, and no other period of an artist is more worth collecting and having in a ... CD
One of the weirdest records on the ESP label from the 60s – and that's saying a lot, given the oddness of the legendary label! The set's essentially a free jazz one, but it's also got some unusual instrumentation too – assorted guitars, koto, clarinet, xylophone, and lots of odd ... CD
Alan Sondheim's second album for ESP – even more obscure and offbeat than the first! Lots of electronics here – including some nice moog – plus prepared piano, Hawaiian guitar, marimba, melodeon, tabla, and other unusual instrumentation! CD
Gulfh Of Berlin is Gerhard Gschlossl on trombone and Sousaphone, Gebhard Ullman on tenor sax and bass clarinet, Jan Leipnitz on drums, Johannes Fink on bass and cello, and Michael Haves on electronics. CD
Possibly the first true moment of genius from Paul Bley – a key indie standout after a few years working for bigger American labels! By the time of this early ESP album, Paul Bley was no stranger to the American scene – having recorded a few records for different labels in the 50s, and ... CD
One of our favorite albums ever on the legendary ESP label – and a key session in the best "new thing" mode of the 60s! The New York Art Quartet were a short live collaboration between trombonist Roswell Rudd, saxophonist John Tchicai, bassist Lewis Worrell, and percussionist ... CD
Includes the songs "Jumping At The Woodside", "Lester Leaps In", "Shoe Shine Boy", "Lady Be Good", "Boogie Woogie", "Out Of Window", "Topsy", "Songs Of Islands", "Moten Swing", "Exactly Like You", ... CD