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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of our favorites by King Crimson – and a record with a lot more jazz than some of their others! Players include Mel Collins on lots of flutes and saxes – plus guests Keith Tippett on piano, Mark Charig on cornet, and Harry Miller on bass! LP, Vinyl record album
One of our favorites by King Crimson – and a record with a lot more jazz than some of their others! Players include Mel Collins on lots of flutes and saxes – plus guests Keith Tippett on piano, Mark Charig on cornet, and Harry Miller on bass! LP, Vinyl record album
This King Crimson line-up featured David Cross on violin & keyboards, along with John Wetton, Bill Bruford, and of couse Robert Fripp. Eight tracks in all, including "The Night Watch", "Fracture", "The Great Deceiver", "The Mincer", "Lament", ... LP, Vinyl record album
A wonderful second record from King Crimson – a set that follows in the same territory as the debut – with Greg Lake on vocals and Robert Fripp on guitar and devices – alongside Michael Giles on drums and Peter Giles on bass. There's some great jazzy touches at times – ... LP, Vinyl record album
The last of the "revival" King Crimson from the early 80s – featuring the lineup that included Robert Fripp, Adrian Belew, Bill Bruford, and Tony Levin. The style is fairly academic, but Belew's presence still gives the record a bit of heart – something that Fripp had trouble ... LP, Vinyl record album
The self-recorded 4 Track Demos for the Rid Of Me LP, an album eventually recorded by Steve Albini as one of the most surprisingly raw major label debuts of the early 90s – at a time when the majors were signing indie artists and putting out bigger sounding, more accessible versions of them, ... LP, Vinyl record album
A real standout from Polly Jean Harvey – a set that somehow manages to have all the intensity of her previous records, but which hones things down to a mode that might well be called mellow at times – but which, to us, also seems to really give the music clarity, and maybe a more ... LP, Vinyl record album