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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Fantastic work from Hawkins – recorded for a small label at a time when his star had fallen a bit, but with some AMAZING tone that really makes the album cook! The group's a combo that features piano and organ by Earl Knight, trumpet by Ernie Royal, trombone by Eddie Bert, and guitar by ... LP, Vinyl record album
An excellent collection of work by Coleman Hawkins – tracing his early amazing development of the use of the tenor in jazz, through his surprisingly modern sounds of the later years! LP, Vinyl record album
A 50s collection of material cut by Coleman Hawkins in the early 40s – working with a wonderful small combo that includes Teddy Wilson on piano and either Roy Eldridge or Buck Clayton on trumpet! The tracks are mostly lively and upbeat, and Hawkins' tenor has that wonderful mid 40s sound ... LP, Vinyl record album
Massive music from funky reedman Joe Farrell – quite possibly our favorite of his legendary 70s run for CTI – and that's saying a lot, given how great those records are! There's a lean, edgey groove to the set that's totally great – a lot more bite than usual for CTI, thanks to ... LP, Vinyl record album
The best of Ronnie Laws' 70s material, plus a few new tracks as well – an album that definitely lives up to its Classic Masters title! The music is awash in both jazz and soul modes – jazz, thanks to Ronnie's well-played solos, which soar out in an amazing blend of new ideas and on-the- ... LP, Vinyl record album
A lost bossa jazz classic from Dizzy Gillespie – recorded at a time when Lalo Schifrin was working in his combo! The record's got a cool, laidback kind of groove – one that's miles away from Gillespie's earlier bop work, and which shows him opening up his rhythmic conception strongly ... LP, Vinyl record album
Excellent grooviness – and typical of the mad instrumental LPs that showed up on Impulse when they weren't cutting high-minded jazz! The record has a nice mix of easy funky jazz and pop psychedelia – performed by a range of groovy players conducted by Bob Thiele, and featuring Tom ... LP, Vinyl record album
An amazing album – simply groundbreaking, and a key turn for Jackie McLean! The record features a group of hip young players – including a very young Tony Williams, plus Grachan Moncur III, Bobby Hutcherson, and Eddie Kahn – all playing in a spare contemplative modernist mode ... LP, Vinyl record album
One of the most unusual Roland Kirk albums of the 60s – his only session for Verve, and a record cut with a slightly different feel than some of his work for Mercury or Atlantic! The core group's an unusual one – a quartet that features a young Lonnie Smith on piano, plus Ronnie ... LP, Vinyl record album