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Get On The Good Foot

LP (Item 5572) Polydor, 1972 — Condition: Very Good
2LP Gatefold

A really great double-length set from James Brown – maybe slightly less iconic than some of his other classics from the early 70s, but a record that really shows the man stretching out and finding his groove! The whole thing is a great example of the new freedoms that Brown was experiencing away from King Records – and the approach not only recreates the mix of funk and soul that you'd find on Hell, but also echoes some of the People Records style to come too – in part because there's a few tracks that have the vibe of a funky 45, and also because James lets the newly-revived Hank Ballard com in and do a 5 minute recitation about how great James has been to his career. Titles include the long numbers "Funky Side Of Town" and "Please Please" – plus "Your Love Was Good For Me", "The Whole World Needs Liberation", "Nothing Beats A Try But A Fail", "My Part/Make It Funky (parts 3 & 4)", "I Got A Bag Of My Own", "Dirty Harri", "Recitation by Hank Ballard", "Ain't It A Groove", "I Know It's True", "Get On The Good Foot (parts 1 & 2)", and "Cold Sweat", in a new arrangement by Dave Matthews!  © 1996-2020, Dusty Groove, Inc.
(In the textured cover, with some surface wear and split seams.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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