This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A classic set from Stanley "Sugar Man" Turrentine – a nickname the reedman had at the time, given the success of his famous CTI Records version of "Sugar"! This set follows in that same great mode – jazzy, but a bit funky too – although couched with this ... CD
A fantastic early record from tenor giant Stanley Turrentine – a set that's completely hard-hitting, and which has a very different vibe than the sweeter sets he'd cut later in the 70s! Instead, this record is pure hardbop all the way through – with Turrentine matching labelmate Hank ... CD
A great lost session by Stan The Man – recorded in the early 60s when he was doing some of his best work, but not issued by Blue Note until the mid 80s! The album stands right up there with other Blue Note gems of the time – especially albums like Comin Your Way and Jubilee Shout, both ... CD
A bit hit for Stanley Turrentine – and a pretty darn nice record of extended groovers, with a harder sound than you might expect from the tongue-licking cover, and a title of Sugar! The record's only got three cuts – one of them Stanley's famous version of "Sugar", the other ... CD
A very successful album for Blue Note – and one that took the searing tenor sax of Stanley Turrentine and backed it with some boldly soulful arrangements from Oliver Nelson! Nelson was perfect at this sort of session – able to provide full backings that infused the record with energy, ... CD
A sweet trio set from bassist Ron Carter – done with great piano from Kenny Barron and guitar from Herb Ellis – a really sensitive pair who make things swing gently with Carter throughout! Ron's warm basslines really direct the set strongly – and the lean recording style gives ... CD
One of the greatest Blue Note albums of all time – a record that's even better than the look of it's cover – which is already pretty darn classic! Hank Mobley had been making records for Blue Note for a number of years before this set – but Caddy For Daddy is one in which he ... CD
One of Jimmy's funkiest albums ever – a sweeeeet batch of short, hard, and funky cuts – and a record that ranks right up there with the mighty Soul Sugar for sheer funkiness! Jimmy takes an upbeat and easygoing approach to the late 60s funk sound, with a nice, rubbery bass and the ... CD
Previously-unheard material from Freddie Hubbard – great live sides recorded in Europe during 1969, all with a stretched-out sound that really points the way to some of Freddie's growth in the 70s! The feel here is a bit like Hubbard's excellent Hub Of Hubbard album recorded for MPS around ... CD