This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the most obscure Randy Weston albums of the 50s – and one of the most striking, too! The title and cover are a bit unassuming, but Weston's in his prime modern mode throughout – working both through his own compositions, and on some amazing remakes of older standards – all ... LP, Vinyl record album
Beautiful work from Randy Weston – and a unique electric session from the 70s! The feel is very different here than the angular modernism of Randy's roots – a warmer, more flowing sound – as you'd expect from the CTI label, and from Randy's use of electric piano as well as ... LP, Vinyl record album
A killer batch of hardbop tracks – no-nonsense, straight-ahead, and with all the fire of Roach's work with Clifford Brown! The set was recorded a few years after the untimely death of the Brown/Roach group – and although the album's got "Charlie Parker" in the title, there's ... LP, Vinyl record album
A great record – and one that's a lot more unified than the title might make you think! The set has Max post-Clifford Brown, post-the hardbop group that followed Brown, in his more searching soulful mode, playing with some steller younger talents like Booker Little, George Coleman, Julian ... LP, Vinyl record album
Some great down-home work from Jimmy McGriff – a session that's a bit less funk-based than some of his others for the Groove Merchant label, but still plenty darn great! The set's kind of a nice link between the straighter soul jazz of McGriff's 60s years, and his return to the format at the ... LP, Vinyl record album
On this one, the Crusaders definitely crossed from jazz into funk – but who cares, because the album's so darn great! The record's got a tight LA groove, with some excellent electric keyboards, sweet sax solos, and tight drumming throughout. True proof that sometimes a lot of money can be ... LP, Vinyl record album
Although this session's produced by Orrin Keepnews, it's very much in the stretched-out space funk style of some of the David Axelrod produced Fantasy sessions, although perhaps with some more modal fusion touches. Hawes plays acoustic and electric piano, as well as Arp – and the rest of the ... LP, Vinyl record album
Apart from the title's terrible pun on the Glenn Campbell hit of the mid 70s, this album's a real treat – a very soulful batch of smooth funky jazz tunes by The Crusaders, who by this point have fully emerged to claim the throne of the pop soul jazz genre they virtually invented. The record's ... LP, Vinyl record album
Great set that reissues material from 2 live albums that were never properly issued in the US – Miles In Tokyo, recorded in 1964, with Sam Rivers, Herbie Hancock, Ron Carter, and Tony Williams; and Miles In Berlin, recorded in 64 as well, with the same group, minus Rivers, plus Wayne Shorter ... LP, Vinyl record album
A strange pairing – but that's sometimes what makes these Verve "pro meets pro" sets from the 50s so great. Getz and Johnson are backed by Oscar Peterson, Ray Brown, Herb Ellis, and Connie Kay – and the tracks are longish, with plenty of solo room in the open jam session mode ... LP, Vinyl record album