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Savage Seven

LP (Item 55634) Atco, 1968 — Condition: Near Mint-

Typical biker movie fare – but this time around played by some more famous groups! The album was put together by Mike Curb – the guy who crafted so many knock-off groups for Tower and Sidewalk biker soundtracks – and truthfully, Mike doesn't produce the work on the album by the big stars. Cream do a nicely gentle jazzy number called "Anyone For Tennis", and the fuzzy instrumental "Desert Ride" – and Iron Butterfly perform "Iron Butterfly Theme" and "Unconscious Power", plus some other instrumentals that are more in keeping with work on other Curb soundtracks. Barbara Kelly & The Morning Good do the rest of the album – very much in that instrumental rock vein that you'd get on other Curb scores – running through a pretty nice mix of instrumental tunes that includes "Savage Struggle", "The Medal", "Here Comes The Fuzz", and "Shacktown Revenge".  © 1996-2019, Dusty Groove, Inc.
(Purple & tan label stereo pressing. Cover has light wear and aging, with a small torn corner in the back paste-on.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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