This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Doin Allright? Dexter's doing great on this one – working with that fully mature Blue Note sound of his – a rich approach to soloing that keeps the tracks cooking with excitement! The group on the set's an all-star lineup that includes Freddie Hubbard on trumpet, Horace Parlan on ... CD
One of the hippest albums that John Klemmer ever cut – a tremendous little set that's quite worthy of inclusion in the early 70s Impulse Records generation – and which is far different than any of his smoother sessions from later years! Klemmer's picking up bits of Coltrane here, but ... CD
One of the best non-Saturn Sun Ra albums of the 60s – material recorded live on a tour of New York colleges in 1966, and very much in a spirit that captures the Arkestra at their best! Longer tracks are juxtaposed nicely with shorter ones – in a way that has the group running very ... CD
Pivotal work from Freddie Hubbard – a tight, edgey quintet side with a sound that approaches the Blue Note "new thing" sound, but which stays just this side of the fence to keep in line with Freddie's other soulful work of the 60s! The group features some great work by James ... CD
A double-length set of work from one of the greatest pianists of the 50s – both of his Atlantic albums together on a single CD! First up is the self-titled Lennie Tristano, from 1955 – darkly imaginative work from the great Tristano – and one of the few full albums he ever cut as ... CD
Smokin' dub Randy's! Culled largely from the hard-to-find 'Randy's Dub" LP, this showcases the mighty rhythm section behind many of the sides cut at Randy's for the Impact label. Randy's, connected to the shop owned by Vincent Chin (producer Clive Chin's brother), and run by dub maestro Errol ... CD
PE's third LP, and their last with full on Bomb Squad production. With classics like "Fight The Power", "Burn Hollywood Burn", "Welcome To The Terrordome", "Power To The People", "911 Is A Joke" and the title track. CD
Damn great work from Lisa Stansfield – a record that had her bouncing back way to the top in the late 90s, while still holding onto all the wonderful styles she had at the start! The grooves are lean, clean, and very classic-styled – that mix of well-syncopated rhythms, soaring strings ... CD
The mothership has landed! While attempting to make a definitive compilation of all of Scratch's productions would take well more than 3 CDs, this set does a fine job of touching on important highlights and unearthing a few hidden gems, from the fertile Black Ark period. 55 tracks in all, with a ... CD