This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Nice Quincy Jones soundtrack for the first "Mr. Tibbs" film. Roland Kirk's in the orchestra, and you can hear him nicely in a soul jazz groove on a number of tracks. Titles include "Whipping Boy", "Nitty Gritty Time", "Shag Bag, Hounds & Harvey", "B ... LP, Vinyl record album
One of Philip Glass' best scores – whether or not you've seen this haunting film. The music builds in a beautifully minimal way – with rumbling organ and orchestral themes at the beginning, which slowly evolve into brilliantly streaming lines of repeating notes played on keyboards, ... LP, Vinyl record album
One of the greatest soundtracks ever from the great John Barry – a set of tracks that echoes some of his famous modes from James Bond films, yet also has a unique quality all its own! Barry's got a strongly jazzy sensibility here – and spaces out some great instrumentation with the ... LP, Vinyl record album
Smooth funky big band work from Bill Conti – penned for a film written by and starring Burt Young as the trumpet-playing Uncle Joe in the title! Maynard Ferguson handles all of Joe's trumpet parts for the score – blowing in a mode that's similar to that used on some of his electric ... LP, Vinyl record album
A great little movie – with a pretty nice little score! This early Michael Crichton film is quite similar, in overall pacing and theme, to Jurassic Park – but it's much schlockier, as you'd imagine from the time, and from the music on the disc, which is mostly fake "western" ... LP, Vinyl record album
The soundtrack that put John Barry over the top – and to many, THE James Bond soundtrack! The album chills from the first notes of the haunting title theme – the majestic "Goldfinger", sung by Shirley Bassey with a tone that's as dangerous as a razor-sharp hat spinning ... LP, Vinyl record album
A pretty straight score from Jack Nitzsche – despite his groovier tendencies on earlier work – but also not a bad one, and a lot more striking than we remember the music being when we saw the film! A few tracks are kind of groovy and soft instrumentals, others are more dramatic, and ... LP, Vinyl record album
Hilarious! This is the soundtrack to a goofy late 60s shocker film about the time when hippies and young folks would take over America. Les Baxter handled the musical score for the film, but the real treat is the schlocky rock tracks – written by Barry Mann and Cynthia Weil, with ... LP, Vinyl record album
Arguably one of the greatest horror soundtracks ever – an intense bit of work that builds on the vocal choral style of Carl Orff's Carmina Burana, using male and female voices in union with staccato orchestrations to invoke a fiercely tense mood – one that works perfectly for the spooky ... LP, Vinyl record album