This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An obscure side project of Barry White ("White" Heat, get it?) – and a pretty darn tasty batch of ensemble funk tracks! The sound is less White-oriented than some of his other side groups – with a stripped-down sound that doesn't have the strings or large production of any of ... LP, Vinyl record album
Modern Memphis soul – with plenty of traces of a Hi Records smooth mellow style, plus a few bits of that more uptempo sound that the Memphis Horns were adding to some of their own records at the time. The latter doesn't work that well for Tommy, but the laidback tracks are nice – ... LP, Vinyl record album
A mix of bassy funk and mainstream electro grooving from Tease – the RCA album from the group, and a record that seems to share a lot with the Minneapolis groove of Prince and The Time! In fact, there's a partyful snapping quality to most of the tracks here that's very much in the Morris Day ... LP, Vinyl record album
Minnie Riperton's first album for Epic – and the record that broke her from a hip Chicago underground artist into one of the seventies' biggest soul divas! The record moves past the baroque soul of Minnie's early years with Rotary Connection and Charles Stepney – and hits a mix of ... LP, Vinyl record album
Nothing lonely here – as Mavis Staples hits a newly sophisticated groove that's set up in full arrangements from the great Horace Ott, and produced with a nicely sweet touch from Don Davis! The sound is a great example of the changes going on at the new Stax at the end of the 60s – a ... LP, Vinyl record album
A perfect example groove that got The Undisputed Truth big hit fame in the early 70s – sort of a rumbling funk, full-on approach, using male/female vocals in kind of a "wall of soul" approach. Includes the huge hit "Smiling Faces Sometimes", plus lots of covers of cool ... LP, Vinyl record album