Mid 80s funky soul from Cashflow – a rare one cut for the Atlanta label, and produced by Larry Blackmon – a group R&B effort that seamlessly combines the club ready soul, funk, 80s rap influences and otherwise tightly thumping grooves Blackmon worked with at the time! Cashflow had a hit with "Mine All Mine", but the rest of the record is nearly as nice as that one – post electro, keyboard heavy synth soul & funk production with group vocals that range from quite strong lead and backing vocals – plus a Larry Blackmon rap in the middle of "Party Freak", a cut that works nicely in the She's Strange era Cameo mold! Other tracks include "Can't Let Love Pass Us By", "Spending Money", "Reach Out", "I Need Your Love" and "It's Just A Dream". (Cover has some light edge wear.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.