This image is a general representation of the album cover, but the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. If the item offered is a used, second-hand item, please note that there may be some cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Later Bar-Kays at their best – still plenty funky, but also working in a smoothly soulful style that became the group's trademark sound at Mercury! The album's got a real bass-heavy appeal from the start – working in a mode that shares a lot with Cameo, The Gap Band, and some of the ... LP, Vinyl record album
Man, these guys really know how to groove – and even on a bigger label, with a more commercial image, they still manage to come up with a tight little set! There's a key ear for a bassline and beat that keeps The Bar-Kays standing stronger than most of their contemporaries – a sense of ... LP, Vinyl record album
A killer from Con Funk Shun – one of the few mainstream funk groups who actually managed to sound better and better with each new record – and on this set, they really seem to come into their own! The group's sound was always suited better to a smoother groove than a rougher one – ... LP, Vinyl record album
An incredible fusion of all the greatness that was going on in the Bay Area scene of the 70s – put together by Coke Escovedo – the brother of Pete and Sheila E, former leader of Azteca, and onetime member of Santana! Yet this set sounds like none of that previous work at all – ... LP, Vinyl record album
A seminal set from The Joneses – and a record that really set a whole new style for soul vocal groups in the 70s! The group soar into new heights with some of the growing sophistication of the east coast scene – bits of strings, tighter charts, and some cool pre-disco grooves – ... LP, Vinyl record album
The standout classic from Junior Giscombe – one of the more unique soul artists of his generation! The set's probably best known for its huge hit single "Mama Used To Say" – a killer cut with an incredibly catchy hook, and a groove that's lasted for years on 80s groove ... LP, Vinyl record album
The second album by this lost East Coast funk act – and although not as totally excellent as their first, still a very nice record that's filled with choppy up-tempo grooves, and some nice dancefloor soul. There's plenty of funky keyboards in the mix – moog, clavinet, and Arp – ... LP, Vinyl record album
The first album by The Sylvers – a hard soulful band made up of youngsters from LA, but who had a lot more going on than some of the other kiddie-soul bands of the early 70s! The group's a sextet at this point, with four male voices and two female ones – coming across as a sweet blend ... LP, Vinyl record album
The second album from Kid Creole & The Coconuts – a mad mix of grooves with a very unique style! The album follows August Darnell's pattern of blending 20s retro styles with early 80s dancefloor trends, touched with elements of the exotic – in keeping with the record's title – ... LP, Vinyl record album
A really great album by Eugene McDaniels! This one's not as radical as his Headless Heroes LP – but it's got a jazzy soulful approach that shows that he could still keep it real without going over the top. Oddly, he's billed as Gene McDaniels on the cover, leaving us to wonder if he's ... LP, Vinyl record album