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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
There's definitely many moods here, but the record also features some nice jazzy ones, too – thanks to work by the Ralph Sharon trio, plus guest appearances by Chico Hamilton on drums, Bobby Hackett on cornet, and even Dick Hyman on organ! LP, Vinyl record album
One of Tony Bennett's most fantastic albums from the 60s, and a record that features some nice jazzy arrangements that push past the usual heavy studio ones. The album includes a great reading of "Samba Do Aviao" with backing by Carlos Lyra, Helcio Milito, and Al Cohn – plus "F ... LP, Vinyl record album
Beautiful late 60s pop from Tony – arranged and conducted by Torrie Zito, with a pretty strong jazz component on the best songs. Jimmy Wisner's producing, and gives the tracks a good pop quality that keeps Tony's style hip – and tracks include "Over The Sun", "What The ... LP, Vinyl record album
A record that has a Motown hit for its title, but the album's got a depth that marks Bennett as one of the most complex singers of his generation – way past the broad belter of ballads from the 50s, and an all-adult male vocalist whose sound was essential to the sophistication of the ... LP, Vinyl record album