This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A return to basics after Sonny Stitt's late 60s Varitone and funk experiments – all-bop and all soul all the way through, and recorded with a tight quartet that features Barry Harris on piano, Sam Jones on bass, and Roy Brooks on drums! The style's a bit like Sonny's work of the late 50s, ... CD
A record with a simple, elegant title – and a similar cover image too – but if you know Sonny Stitt, you know there's often plenty beneath the surface, and this classic Chess Records has plenty to offer, once you start listening! The album's right up there with Sonny's work for Roost ... CD
Sonny Stitt on alto and tenor saxophone, Jimmy Jones on piano, Aaron Bell on bass, and Charlie Persip and Roy Haynes on drums. Includes the albums A Little Bit Of Stitt, Sonny Side Of Stitt, Stittsville, and Sonny Side Up. CD
Beautiful lost 60s material from Stitt – recorded without any tricks or gimmicks, in a solidly-blown mode that rivals his best work for Roost and Argo! The first 4 tracks of the set were recorded in New York in 1962 – with an unnamed group that lets Sonny really take the lead on sax, ... CD
A great live set from Dexter Gordon – recorded in the late 60s, but previously unreleased – and featuring a rare appearance from Bobby Timmons on piano! Gordon and Timmons are a rare treat together – and they're working here in the fully-extended, quite open-ended mode of the ... CD
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that ... CD
A stunningly powerful batch of hardbop tracks from Mal Waldron – one that's different both from his trio material of the time, and from some of the ways that he works on the Prestige blowing sessions of the period – as Waldron is clearly the leader here, and really works magic with a ... CD
Sublime late 50s hardbop – recorded in the best Prestige blowing session mode! The record has an incredibly open-ended feel – as you might probably guess from the track "All Night Long", which runs for all of side one, and gives all the players included plenty of room to work ... CD