This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Heavenly soul – and the second album by this fantastic Chicago soul harmony group! The record has stellar production by Leroy Hutson and Rich Tufo, and Hutson wrote a lot of the tracks. One of the best records ever to come out of the Curtom studios, and (dare we say it!) even better than ... LP, Vinyl record album
The one and only album ever cut by The Winstons – an obscure mixed-race soul combo who had roots in Otis Redding's touring band, and who hit big with a soul Grammy in 1969 for the title track to this one, "Color Him Father". The cut's an amazing document of its time, a sweet little ... LP, Vinyl record album
Pedicin was a studio player at Philly – with a sweeping saxophone sound that showed up in more than a few good licks on the label's big hits. This album's one of two that he cut as a headliner, and it's sort of a smooth jazz affair, with touches of instrumental Philly. The record's not ... LP, Vinyl record album
A great batch of raw soul groovers – with a shouting R&B feel that's totally great! You probably know The Rivingtons for their classic "Papa Oom Mow Mow", one of the strangest vocal group cuts of all time – and one of those oldies we never tire of hearing! The album's ... LP, Vinyl record album
Great cuts from the second decade of Marvin Gaye's career at Motown – really magic numbers pulled from that 70s period when he was really taking off with his music! There's a righteous undercurrent here that goes way beyond the simple soul of the 60s – and the set offers a great cross-s ... LP, Vinyl record album
With that trademark synth production and MC Tee on vocals. Includes "Simple Simon", "Join Me Please", "Gangster Boogie", "In Full Effect", "Get Stupid", "Sing A Song", "Mega Mix" and more. LP, Vinyl record album
40's LP collection of some of the earlier sides that Dizzy cut for Savoy, with be bop classics like "Our Delight", "One Bass Hit", "Oop Bop Sh'Bam", "Salt Peanuts", and "Dizzy Atmosphere". The groups include players like Charlie Parker, Sonny Stitt ... LP, Vinyl record album
A standout early session from organist Shirley Scott – noteworthy in that it's a quintet recording, different than Shirley's mostly-trio output from the time! Here, she's working in a group that includes Oliver Nelson on tenor sax and Joe Newman on trumpet – and Nelson's edgey tone ... LP, Vinyl record album